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Nigerian Singer Shot Dead In Anambra

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Slami Ifeanyi

Slami Ifeanyi, a Nigerian Singer and songwriter,  has been shot dead in Umubere in Akwa, capital of Anambra State.

It was gathered that the Anambra-based singer was shot dead by yet-to-identified gunmen.

According to reports, the 31-year-old former Mr. Anambra Universe was driving in his newly acquired vehicle when he was attacked and killed.

A close friend of the singer who spoke about the incident alleged that the attack against the singer was targeted.

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“He was driving his new car which he bought just two weeks ago when it happened. Although we don’t know why he was attacked it looks like a targeted attack,” he said.

Slami was a Nigerian music artiste who was known for his extraordinary sound, infusion of Afro Pop, High life & RnB, which he used to amuse his audience.

Asides from singing, Slami was a model, actor, and founder of the SLAMI EMPIRE, which organized ANAMBRA GOT TALENT.

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Veteran Actor Jude Chukwuka Reveals Eight-Year Battle With Undiagnosed Depression After Wife Left

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Veteran Actor Jude Chukwuka

Veteran Actor Jude Chukwuka Reveals Eight-Year Battle With Undiagnosed Depression After Wife Left

Veteran Nollywood actor, Jude Chukwuka, has opened up about a difficult chapter of his life, revealing that he unknowingly battled depression for about eight years following the collapse of his marriage.

Chukwuka made the disclosure during an interview with African A-List on Friday, September 5, 2026, while reflecting on the emotional impact of his failed marriage and how it affected his outlook on life.

The actor said he initially did not realise that the changes in his behaviour and emotions were symptoms of depression.

According to him, he simply continued with his life without understanding why he had lost interest in many things.

“My wife left me for eight years. I didn’t know I had depression,” he said. “I was just living my life like I’m not interested in all of these things for about eight years.”

Chukwuka explained that his emotional withdrawal and lack of interest persisted for years after the breakdown of his marriage, but he was unable to identify the underlying problem at the time.

The veteran actor’s revelation offers an insight into the emotional struggles that can follow the breakdown of a marriage, particularly when the affected person does not recognise the psychological effects of the experience.

Chukwuka had previously disclosed that his first marriage ended in 2011. He described his subsequent marriage as a “second chance” after experiencing heartbreak from the earlier failed relationship.

His latest revelation highlights the prolonged emotional consequences of the experience and the difficulty he faced in recognising what he was going through.

The actor’s account also underscores the importance of paying attention to prolonged emotional withdrawal, loss of interest and other significant changes in behaviour, which can sometimes be associated with depression.

Chukwuka has remained active in Nollywood over the years and is known for his appearances in numerous Nigerian films and television productions.

 

 

Veteran Actor Jude Chukwuka Reveals Eight-Year Battle With Undiagnosed Depression After Wife Left

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Kneeling to Propose Is Why Western Marriages Fail — Pete Edochie Sparks Fresh Debate

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Kneeling to Propose Is Why Western Marriages Fail — Pete Edochie Sparks Fresh Debate
Pete Edochie

Kneeling to Propose Is Why Western Marriages Fail — Pete Edochie Sparks Fresh Debate

Veteran Nollywood actor Pete Edochie has reignited a fierce debate on marriage traditions, insisting that men who kneel to propose are symbolically surrendering their family headship—a practice he claims has contributed to the high rate of marital breakdown in Western countries.

The 78-year-old actor, who has been married for 56 years and describes himself as an “uncompromising custodian of Igbo culture,” made the remarks during an exclusive interview on the Curiosity Made Me Ask programme with BaeU Barbie. The conversation has sparked widespread discussion on social media about the balance between tradition and modernity in courtship and marriage.

Edochie argued that kneeling to propose is not merely a romantic gesture but carries deep symbolic meaning that many men fail to recognise. Drawing from his Catholic faith, he explained that kneeling—or genuflection—is an expression of reverence before a higher spiritual authority. “In church, you kneel before a superior spiritual entity. So if you kneel to a woman, you’re acknowledging her superiority. It has destroyed the white people—they don’t know it,” he asserted. “If you step down on your knee and you offer a woman a ring, you are conceding headship of the family to that woman. And that is what a lot of you who advocate that don’t even understand,” Edochie stated.

He maintained that the practice is culturally alien to African tradition, particularly Igbo customs. “Kneeling down to propose to a woman is totally wrong, it is not our lifestyle. Kneeling before a girl in Igbo tradition means you are handing over the authority to her. She becomes the head of the family,” he said. According to Edochie, traditional Igbo marriage rites place the woman in the kneeling position—not the man. “Marriage in Igbo tradition is when a lady gives her husband-to-be wine while kneeling down. What does it signify? That the man has been accepted as the husband of the lady. It is the lady who kneels before the husband, not vice versa,” he explained.

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The veteran actor linked the practice of kneeling proposals directly to the instability of marriages in Western societies. “Have you ever asked yourself why marriages don’t last in Western countries? You haven’t. That’s the reason,” he said. Edochie pointed to what he sees as the consequences of this dynamic: “The white man kneels down to propose to a girl, you know what it means? The girl takes over the family. This is why whenever you disagree with your wife overseas, you are kicked out and the wife takes the house.” He further argued that Western societies show a general disregard for the sanctity of marriage, stating that Africans have more to teach the Western world about sustaining long-term unions. “I have been married for the past 56 years, there is no actor in Hollywood who has my record, nor in Nollywood. Something that we can teach the white man is how to get married and keep their marriages. They don’t appreciate the sanctity of marriage and it doesn’t mean anything to them, it’s nonsensical,” he declared. Edochie also addressed the financial implications of divorce in some Western jurisdictions, noting that women may be entitled to a substantial portion of their husbands’ assets following the dissolution of a marriage. “So, if your wife decides to divorce you, she’s entitled to maybe half or 75 per cent of what you have,” he noted.

While acknowledging that culture evolves, Edochie warned against adopting foreign practices that undermine African values. “Culture is eclectic. In its dynamism, it grows. You adapt and you adopt, there are aspects that you can clip off but adopting these things does not have to be at the expense of our culture,” he said. Edochie cited his own marriage as evidence that his approach works. “I didn’t kneel to propose to my wife and we’ve stayed 50 years in our marriage. I took my time to woo her, when it’s time to settle down, I asked if she’ll marry me and that was it,” he recalled.

When interviewer BaeU Barbie—who noted that he personally knelt when proposing—challenged Edochie, asking, “Do I look like a fool?” the veteran actor stood his ground, replying, “I will not take it back.” Edochie has previously used even stronger language, describing men who kneel to propose as “idiots,” “bloody fools,” and “compound buffoons.”

Edochie’s comments have drawn both praise and criticism. Supporters applaud his defence of cultural identity and male headship of the household, while critics view his stance as outdated in an era where kneeling proposals have become a widely accepted romantic gesture, including in Nigeria. His son, actor Yul Edochie, has offered a more nuanced take, agreeing that kneeling is not traditional African culture and that he himself did not kneel, while stressing that the posture of a proposal does not determine the success or respect within a marriage. The debate continues as Nigerians weigh the balance between cultural preservation and modern expressions of love and commitment.

Kneeling to Propose Is Why Western Marriages Fail — Pete Edochie Sparks Fresh Debate

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Wizkid Mocks Davido’s Family Wealth: “Rich and Empty” — Afrobeats Feud Escalates

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Wizkid Mocks Davido's Family Wealth: "Rich and Empty" — Afrobeats Feud Escalates

Wizkid Mocks Davido’s Family Wealth: “Rich and Empty” — Afrobeats Feud Escalates

Nigerian Afrobeats superstars Wizkid and Davido have reignited their decade-long rivalry in a fiery social media clash that exposes deep tensions about privilege, hard work, and what it truly means to be “self-made” in the Nigerian music industry.

The drama began when rapper Erigga posted what seemed like an innocent shoutout to musicians who built their careers without family money. Within days, the exchange had spiraled into a full-blown feud, with Wizkid taking a direct jab at Davido’s family wealth and influence, and fans generating over 35,000 posts debating the merits of privilege versus struggle.

The conflict erupted on September 1, 2026, when Erigga, a rapper known for his gritty “grind from the bottom” narrative, posted on X : “Shoutout to all the musicians who don’t come from family money and had to grind for every single dollar they earn.” Though Erigga mentioned no one by name, the post struck a nerve with Davido, who comes from one of Nigeria’s wealthiest families. His father, Adedeji Adeleke, is a billionaire businessman, and Davido has long faced criticism that his success is built on family privilege rather than talent.

Davido quote-tweeted Erigga’s post and fired back, defending artists from privileged backgrounds who still work hard: “No be we say make your pops no guard o. Shoutout to the ones that came from family money and still grind to the top. Comot here with that your useless motivation… imbecile.” He doubled down with another provocative post the following day: “I go chop my own money, still chop my pale own. If e pain you, go slap your poor papa.” This remark was widely criticized as a disrespectful jab at people from less privileged backgrounds.

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Erigga, known for music that reflects his own journey from humble beginnings, did not back down. He questioned why Davido took a harmless shoutout personally and coined a new nickname that quickly went viral: “Slovido”. His response series included: “NA SHOUTOUT TO THE ONES WHEN GET IT OUT THE MUD WITHOUT FAMILY MONEY DEY MAKE DAVID CRASH OUT? From where to where??” and “Big man pikin dey cry say poor men children de hail dem self??? Motivate yourself naw. Ambassador of RICH KIDS.” He also wrote, “Because ur papa get money make we no happy again for our small wins??? I’m disappointed IN YOU SLOVIDO. NA ME U WAN BULLY? NA ME U WAN OPPRESS?” Beyond the personal attacks, Erigga called out Davido’s use of the word “imbecile,” bringing people with intellectual and developmental disabilities into the conversation: “Big love to everyone on the spectrum, Down syndrome, autism, etc… it can never be cool to insult people with a disease.”

Wizkid, Davido’s long-time rival, seized the opportunity to join the conflict on September 4, 2026. In a tweet widely interpreted as a direct jab at Davido’s family influence, he wrote: “My papa get money, my family get money but your people no get development. Rich and empty. Calma.” This tweet mocked Davido’s family wealth while implying a lack of meaningful development in Osun State—a pointed reference to the Adeleke family’s political influence in the region.

The exchange has sparked fierce debate across social media, with fans divided on who is in the right. Many users accused Davido of insecurity and overreacting to an innocuous tweet. @HonitelHQ wrote: “You have a very low self-esteem and it is really pathetic. There is no place in that tweet where he mentioned your name. You are not the only artist in Nigeria that comes from money.”@adelambo added: “He didn’t mention your name or make any references at anyone, he was just giving an encouragement to people without any support.” And @jradun21 noted: “Nobody said coming from a wealthy family means you didn’t work hard. The point was simply to acknowledge those who had to build from zero.” However, others defended Davido, arguing that coming from wealth does not diminish an artist’s hard work. @NurseVictoria01 countered: “There’s no award or glory for suffering. No one stopped your ancestors or your father from securing the bag.”@Feyitayo added: “The easiest way to make it in life is through inheritance. Blame it on your parents if you weren’t born rich, and not try to downplay the efforts of others.”

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This latest clash is just one chapter in the long-running rivalry between Wizkid and Davido, which has been a defining feature of the Afrobeats scene for over a decade. Wizkid previously launched a scathing attack on Davido in October 2024, claiming musical superiority and accusing him of surrounding himself with “broke boys” who worship him. He wrote at the time: “First off, you’re not as fly as me, can’t sing or make music like me, you can’t dress, you don’t make more money than me… Fuck you and your dad’s money, we got ours!” The rivalry has also played out on international stages. At Coachella 2026, fans debated who had the “better” outing—Wizkid appearing as Justin Bieber’s surprise guest on the main stage, or Davido performing his own billed sets on another stage.

The clash has reignited uncomfortable conversations about privilege and success in the entertainment industry. At its core, the drama asks a question that resonates far beyond music: Does coming from wealth diminish your achievements? This debate has been central to Davido’s career, with critics often attributing his rise to the Adeleke family wealth. The resurfacing of a 2023 interview where Davido recounted using his celebrity status to arrange a meeting between his father and the World Bank president has only fueled this narrative. Erigga’s supporters argue that artists who “grind from the mud” deserve recognition for overcoming obstacles that wealthy artists never face. Davido’s defenders counter that money cannot buy talent or work ethic, and that he has proven himself through his music.

As of now, none of the three artists have backed down. The war of words continues to dominate Nigerian social media, with fans eagerly awaiting the next move. What is clear is that this feud—rooted in a decade of rivalry and fueled by questions of privilege, wealth, and talent—is far from over. And as the Afrobeats genre continues its global rise, so too will the competition between its biggest stars.

Wizkid Mocks Davido’s Family Wealth: “Rich and Empty” — Afrobeats Feud Escalates

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