Entertainment

Veteran Nollywood Actor, Scholar Kola Oyewo Dies at 80

Published

2 months ago

June 13, 2026

Professor Kola Oyewo

Veteran Nollywood Actor, Scholar Kola Oyewo Dies at 80

The Nigerian entertainment industry has been thrown into mourning following the death of veteran Nollywood actor and distinguished academic, Professor Kola Oyewo. He was 80 years old. The legendary thespian passed away on Friday, June 12, 2026, after a brief illness. His death was confirmed by his colleague in the movie industry, Kunle Afod, as well as a separate announcement by his son, Adetoyese Oyewo. The family, in a statement signed by Adewale Oyewo, described the deceased as a man who lived “a life of purpose, faith, dedication, and service.”

Announcing the passing on social media, Kunle Afod described the late actor as a legend whose remarkable talent and immense contributions to the Nigerian theatre and film industry would continue to inspire future generations. “Tonight, we lost a true legend. Kola Oyewo has taken his final bow. His remarkable talent, timeless performances, and immense contributions to the Nigerian theatre and film industry will never be forgotten,” Afod wrote.

Born Gabriel Adekola Akangbe Oyewo on March 27, 1946, in Oba-Ile, Osun State, Oyewo began his professional acting career in 1964 with the renowned Oyin Adejobi Theatre Group. His first role was Adejare in Orogun Adedigba, Oyin Adejobi’s autobiography. He spent nine years with the group, honing his craft and learning the ropes of the travelling theatre tradition that dominated Yoruba entertainment at the time. He later transitioned to the University of Ife Theatre, where he collaborated with the late dramatist Chief Ola Rotimi. It was there that his career would take a defining turn.

Oyewo gained widespread recognition across the African theatre scene for his powerful portrayal of Odewale in Ola Rotimi’s renowned play, The Gods Are Not to Blame. The performance remains one of the defining interpretations in African theatre history and established him as a respected figure across the continent’s dramatic landscape. This role elevated him beyond the boundaries of Yoruba theatre and placed him among the pantheon of Nigerian acting greats.

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Over a career spanning more than six decades, Oyewo featured in numerous acclaimed productions. He was best known to television audiences for his role in the classic film Saworoide, where he delivered a memorable performance. His other notable works include Sango, the epic tale of the Yoruba deity of thunder; Koseegbe; Super Story, the popular television drama series; Efunsetan Aniwura; O Le Ku; Yemoja; Omo University; Ayomi; Ewon Laafin; and Oba Bi Olorun. At a time when the Nigerian film industry was evolving from traditional travelling theatre to modern Nollywood, Oyewo stood as one of the bridge figures who carried the richness of indigenous storytelling into a new era. He successfully navigated both the Yoruba-language film sector and mainstream Nigerian cinema.

In addition to his extensive career in Yoruba theatre and mainstream Nigerian cinema, Oyewo was a distinguished scholar. He attended Obafemi Awolowo University (OAU) , where he obtained certificates in dramatic arts and Yoruba oral literature. He later earned a Bachelor of Arts degree in Theatre Arts from OAU in 1995. He proceeded to the University of Ibadan, where he obtained a Master of Arts and a doctorate degree (Ph.D.) in Drama. This academic journey transformed him from a practitioner into a scholar who could both perform and teach the theory behind the art. He served as a senior lecturer at Obafemi Awolowo University from 1996 until his retirement in September 2011. After retiring from OAU, he joined Redeemer’s University, where he served as head of the Department of Dramatic Arts. He subsequently worked at Elizade University, Ilara-Mokin, Ondo State, as a lecturer in performing arts. Through decades of teaching, research, and mentorship, he helped shape generations of actors, playwrights, scholars, and cultural practitioners. His work as a lecturer and mentor may represent his most enduring impact – the students he trained and the cultural knowledge he helped preserve.

In April 2026, just two months before his death, Oyewo had publicly revealed his struggle with prostate enlargement. He disclosed that the condition had slowed him down and limited the roles he could take in films and stage productions. Speaking candidly about his health at the time, he said: “Before now, I could be here and there and play any role, but the sickness laid me back. I can’t play some roles anymore. Except for some minor roles. Well, thank God I am okay now. You can’t go through some kind of sickness and go back to how you’ve been before, but I thank God.” His openness about his health struggles was characteristic of a man who believed in transparency and used his platform to encourage older adults to take their health seriously.

Earlier this year, as Oyewo celebrated his 80th birthday in March 2026, President Bola Tinubu described him as a “national treasure” and a worthy ambassador of Yoruba theatre and Nigerian storytelling. The President emphasized Oyewo’s long-standing influence on academia, theater, and film, stating that generations of performing arts practitioners and scholars have been impacted by the veteran actor’s work. The presidential recognition underscored the high regard in which Oyewo was held, not just within the entertainment industry, but at the highest levels of the Nigerian state.

Oyewo’s passing underscores the gradual departure of a generation that laid the foundations for modern Nollywood. Before streaming platforms, social media promotion, and blockbuster premieres, there were theatre practitioners like him who travelled, performed, taught, and documented Nigerian stories with unwavering dedication. Their work created the cultural ecosystem upon which today’s industry stands. What distinguished Kola Oyewo was not celebrity, but longevity and intellectual depth. Few performers successfully navigated traditional theatre, film, television, and academia while maintaining relevance across generations. He did so with quiet authority and a deep respect for craft. His career became a living archive of Nigerian performance history. The curtain has fallen on one of Nigeria’s most respected theatre icons, but his voice will continue to echo through classrooms, stages, and screens for years to come. He is survived by his children, grandchildren, and great-grandchildren. Further details regarding his funeral arrangements and official memorial services are expected to be announced by the family and university authorities in the coming days.

Veteran Nollywood Actor, Scholar Kola Oyewo Dies at 80

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Nollywood Actress Temitope Osoba Dies at 40 After Courageous Cancer Battle

Published

2 days ago

August 5, 2026

Trends Admin

Nollywood Actress Temitope Osoba

Nollywood Actress Temitope Osoba Dies at 40 After Courageous Cancer Battle

The Nigerian movie industry has been thrown into mourning following the death of popular Yoruba Nollywood actress and producer, Temitope Osoba, who reportedly passed away at the age of 40. Her death has left colleagues, fans, and loved ones devastated. Announcing her passage on Wednesday morning, her close associate and colleague, actor Alesh Ola Sanni, disclosed that the actress died on Tuesday evening. In an emotional Instagram post, he wrote: “Couldn’t sleep since last night, it’s well. Rest in peace my dearest sister, Temitope Osoba. We had amazing time and good memories together, till we meet again. I really dunno what to say mehn, gosh.”

Osoba’s death comes nearly two years after she underwent breast cancer surgery and after she had publicly documented her health struggles. She had previously opened up about her breast cancer diagnosis, describing the moment she discovered a lump during a self-examination in late 2024. According to Osoba, she found a lump in her breast and sought medical help, but a private hospital doctor initially told her the lump was linked to her being of childbearing age. Despite that reassurance, she remained unsettled and continued monitoring the area, eventually noticing the lump had grown. Further testing confirmed the presence of cancer. She underwent surgery in November 2024 to remove the tumour, and doctors later advised her to undergo a second operation to eliminate the remaining cancer cells. A CT scan brought some relief, showing the cancer had not spread significantly, and doctors confirmed she would not need a mastectomy or chemotherapy — only radiation treatment.

Nollywood Actress Temitope Osoba

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Covering the cost of treatment proved a significant challenge for the actress. In November 2024, Osoba solicited financial assistance from the public for her second surgery. She reached out to colleagues for financial support, with actress Foluke Daramola stepping in to help raise awareness and funds on her behalf. Daramola later told her that the response had been limited because many people did not recognise her face, which prompted Osoba to make a public video appeal. The campaign worked, and Osoba successfully completed her treatment.

In August 2025, Osoba announced her return to acting following her recovery. In a video posted on Instagram, she became emotional as she appreciated her fans, colleagues, and supporters for standing by her with prayers and encouragement throughout her battle with the disease. She said the experience transformed her life, adding that it inspired her to rebrand her career and strengthened her determination to use her story to motivate others. “Dear beloved fans, supporters, and loved ones, I’m Temitope Osoba, and after my cancer experience, I’m excited to announce my reintroduction. This journey has been a turning point, leading to my rebranding, reshaping, and rebuilding. I’m emerging stronger, more resilient, and more passionate about sharing my story and inspiring others,” she said.

Osoba had also revealed how cancer almost prevented her from conceiving. In an interview on Oyinmomo TV, she disclosed that doctors told her she would not be able to conceive for the next five years because of the medications she would have to take, as they could affect the baby. She was placed on a five-year medication plan, during which her doctors advised against pregnancy. She, however, said she rejected the report, held onto her faith, and began praying and fasting over the issue. “I was told I had cancer and that further tests would be carried out to check how far it had spread. The doctors also said I wouldn’t be able to conceive for the next 5 years because of the medications I’d have to take, as they could affect the baby. Hearing that at 38 years old was devastating. I couldn’t imagine waiting that long. But I rejected the report and held on to my faith in God,” she said.

News of her passing has prompted an outpouring of grief online, with many stunned that the actress, who had fought so hard to survive, is gone. While tributes have poured in from fans and colleagues, as of the time of filing this report, the cause of Osoba’s death had not been officially disclosed and no official statement had been released by her family or management.

Nollywood Actress Temitope Osoba Dies at 40 After Courageous Cancer Battle

Entertainment

St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness

Published

5 days ago

August 2, 2026

Trends Admin

Iyun Janet Ajilore popularly known as St Janet

St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness

Iyun Janet Ajilore, the celebrated Nigerian Juju and highlife musician popularly known as St. Janet, has died after a brief illness. The news of her passing has sent shockwaves through the entertainment industry, with fans and colleagues mourning the loss of one of the most unique and fearless voices in indigenous Nigerian music.

The veteran entertainer reportedly passed away on Saturday, August 1, 2026. Publisher and socialite Otunba Femi Davies announced the news early on Sunday through his social media handles. According to Davies, St. Janet died after a brief illness. Her family has yet to release an official statement detailing the circumstances surrounding her death or announce funeral arrangements.

St. Janet, who was also fondly called “Mama Yabis,” carved a unique niche for herself in Nigeria’s indigenous music scene. She rose to prominence as one of the most prominent female voices in a genre largely dominated by male performers. Her style was a distinctive blend of Juju and highlife music with witty, socially unfiltered lyrics that often addressed societal issues, gossip, and everyday happenings. This earned her a reputation as a fearless and charismatic entertainer who pushed boundaries and sparked public debate about censorship and artistic expression.

Known for her electrifying live performances and engaging stage presence, St. Janet became a regular feature at weddings, birthdays, chieftaincy ceremonies, and other high-profile social gatherings across southwestern Nigeria. Her music, often performed in Yoruba and infused with rich cultural expressions, earned her a loyal following. Some of her notable and controversial albums included ‘Faaji Plus’ and ‘5G Plus,’ which pushed cultural boundaries and sparked public discussion.

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Interestingly, the controversy surrounding her ‘Faaji Plus’ album was never intended for public consumption. In a previous interview, St. Janet explained that the music was a live performance at a private party for select guests that was later pirated and released to the public. She stated, “The CD that you see out there is not really an album. It was a live performance at a party for selected people. The music is meant for adults. It was not meant for everybody.”

Despite the controversy, St. Janet remained unapologetic about her artistic style. “I know that people are criticising me because I am a woman. If I were a man, nobody would complain that I am singing obscene songs,” she once said. She insisted that her music reflected societal realities and that she gave her audiences what they wanted. At the same time, she maintained that her on-stage persona was different from her off-stage character, describing herself as naturally shy and reserved.

The late musician’s background was deeply rooted in Christianity. She was a chorister in a white garment church before transitioning into professional music. This religious foundation often influenced her performances, as she would start her shows with gospel songs before moving into more provocative material, a strategy that one scholar described as an “insidious approach” to erotic performances.

Her career spanned decades, beginning as a backup singer for her master, Lord Kenge, before launching her solo career. She once explained that her stage name “Saint” came from her master, who called her a “saint” because of her quiet, reserved nature off-stage.

St. Janet’s passing has generated an outpouring of grief from fans, colleagues, and lovers of indigenous Nigerian music, many of whom have taken to social media to pay tribute to the late performer. She is remembered as an entertainer with unmatched stage charisma and an enduring legacy that contributed significantly to preserving and promoting Juju and highlife music in Nigeria.

As of the time of filing this report, members of her family have yet to issue a detailed statement on the circumstances surrounding her death or announce burial arrangements. The passing of St. Janet marks the end of an era for many followers of indigenous Nigerian music, but her extensive body of work and contributions to the preservation and promotion of Yoruba musical heritage are expected to endure for generations.

St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness

Entertainment

Tyla drops Lagos from A*POP World Tour amid boycott calls, concert threats

Published

6 days ago

July 31, 2026

Trends Admin

Tyla drops Lagos from A*POP World Tour amid boycott calls, concert threats

South African singer Tyla Laura Seethal has removed Lagos from the schedule of her A*POP World Tour, days after her planned concert in Nigeria sparked boycott calls and heated online debate linked to renewed concerns over xenophobic attacks against Nigerians in South Africa.

The Lagos concert, initially scheduled for December 22, 2026, was no longer listed on the updated itinerary displayed on Tyla’s official tour platform as of Friday.

The revised schedule retains previously announced performances across Europe, North America and South Africa but no longer includes Nigeria.

Tyla had earlier announced Lagos as the only Nigerian stop on the tour, which is being held in support of her A*POP album. The Nigerian show was expected to take place before the tour’s final performances in Cape Town on January 4, 2027, and Johannesburg on January 9, 2027.

However, Tyla, her management team and the concert promoters had not issued an official statement explaining why the Lagos date was removed.

As a result, it remains unclear whether the concert has been permanently cancelled, postponed or temporarily taken off the public schedule.

The planned Lagos performance generated mixed reactions after it was announced, with some Nigerians calling for a boycott over reports of renewed xenophobic attacks and concerns about the safety and treatment of Nigerians living in South Africa.

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Supporters of the boycott argued that South African entertainers should face public pressure until stronger action is taken to address attacks and discrimination against other African nationals.

Others disagreed, maintaining that Tyla should not be held personally responsible for the actions of individuals involved in xenophobic violence or for broader social and political challenges in South Africa.

The controversy intensified after social media activist Martins Vincent Otse, popularly known as VeryDarkMan, said he would mobilise members of his “Ratel Movement” to prevent the concert from taking place.

In a social media post, VeryDarkMan said the planned action was intended to show solidarity with Africans affected by xenophobic violence. He also criticised South African celebrities and public figures whom he accused of not speaking strongly enough against attacks on foreign nationals.

His comments generated further debate, with some social media users supporting the boycott campaign while others raised concerns about calls to disrupt a music event.

Former presidential candidate Omoyele Sowore opposed the boycott effort, arguing that Tyla should not be held responsible for xenophobic violence.

Sowore said Nigerians should focus their anger and demands for accountability on those responsible for attacks and the institutions expected to protect foreign nationals.

He maintained that artists should not be treated as personally accountable for the actions of other people simply because they share the same nationality.

The dispute comes amid renewed public concern over reports involving Nigerians living in South Africa, including the reported death of Nigerian national Chika Ibe in Cape Town.

The reports have renewed calls for stronger action to protect Nigerians and other foreign nationals, investigate alleged attacks and promote accountability.

The removal of the Lagos date from Tyla’s tour schedule has added uncertainty to the status of the planned concert.

While the date is no longer visible on the singer’s official itinerary, there has been no formal announcement confirming that the show has been cancelled or postponed.

Fans and prospective attendees may therefore have to wait for clarification from Tyla’s team or the Nigerian concert promoters.

The development has also renewed discussions about the role of entertainers in public debates and whether cultural events should be used to express opposition to xenophobia.

Some supporters of the boycott view it as a peaceful expression of solidarity with people affected by xenophobic violence. Others believe artists should be judged by their personal actions and should not be held responsible for social or political issues beyond their control.

For now, Lagos is absent from the publicly available A*POP World Tour itinerary, while the South African dates remain listed.