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Veteran Nollywood Actor, Scholar Kola Oyewo Dies at 80

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Veteran Nollywood Actor, Scholar Kola Oyewo Dies at 80
Professor Kola Oyewo

Veteran Nollywood Actor, Scholar Kola Oyewo Dies at 80

The Nigerian entertainment industry has been thrown into mourning following the death of veteran Nollywood actor and distinguished academic, Professor Kola Oyewo. He was 80 years old. The legendary thespian passed away on Friday, June 12, 2026, after a brief illness. His death was confirmed by his colleague in the movie industry, Kunle Afod, as well as a separate announcement by his son, Adetoyese Oyewo. The family, in a statement signed by Adewale Oyewo, described the deceased as a man who lived “a life of purpose, faith, dedication, and service.”

Announcing the passing on social media, Kunle Afod described the late actor as a legend whose remarkable talent and immense contributions to the Nigerian theatre and film industry would continue to inspire future generations. “Tonight, we lost a true legend. Kola Oyewo has taken his final bow. His remarkable talent, timeless performances, and immense contributions to the Nigerian theatre and film industry will never be forgotten,” Afod wrote.

Born Gabriel Adekola Akangbe Oyewo on March 27, 1946, in Oba-Ile, Osun State, Oyewo began his professional acting career in 1964 with the renowned Oyin Adejobi Theatre Group. His first role was Adejare in Orogun Adedigba, Oyin Adejobi’s autobiography. He spent nine years with the group, honing his craft and learning the ropes of the travelling theatre tradition that dominated Yoruba entertainment at the time. He later transitioned to the University of Ife Theatre, where he collaborated with the late dramatist Chief Ola Rotimi. It was there that his career would take a defining turn.

Oyewo gained widespread recognition across the African theatre scene for his powerful portrayal of Odewale in Ola Rotimi’s renowned play, The Gods Are Not to Blame. The performance remains one of the defining interpretations in African theatre history and established him as a respected figure across the continent’s dramatic landscape. This role elevated him beyond the boundaries of Yoruba theatre and placed him among the pantheon of Nigerian acting greats.

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Over a career spanning more than six decades, Oyewo featured in numerous acclaimed productions. He was best known to television audiences for his role in the classic film Saworoide, where he delivered a memorable performance. His other notable works include Sango, the epic tale of the Yoruba deity of thunder; KoseegbeSuper Story, the popular television drama series; Efunsetan AniwuraO Le KuYemojaOmo UniversityAyomiEwon Laafin; and Oba Bi Olorun. At a time when the Nigerian film industry was evolving from traditional travelling theatre to modern Nollywood, Oyewo stood as one of the bridge figures who carried the richness of indigenous storytelling into a new era. He successfully navigated both the Yoruba-language film sector and mainstream Nigerian cinema.

In addition to his extensive career in Yoruba theatre and mainstream Nigerian cinema, Oyewo was a distinguished scholar. He attended Obafemi Awolowo University (OAU) , where he obtained certificates in dramatic arts and Yoruba oral literature. He later earned a Bachelor of Arts degree in Theatre Arts from OAU in 1995. He proceeded to the University of Ibadan, where he obtained a Master of Arts and a doctorate degree (Ph.D.) in Drama. This academic journey transformed him from a practitioner into a scholar who could both perform and teach the theory behind the art. He served as a senior lecturer at Obafemi Awolowo University from 1996 until his retirement in September 2011. After retiring from OAU, he joined Redeemer’s University, where he served as head of the Department of Dramatic Arts. He subsequently worked at Elizade University, Ilara-Mokin, Ondo State, as a lecturer in performing arts. Through decades of teaching, research, and mentorship, he helped shape generations of actors, playwrights, scholars, and cultural practitioners. His work as a lecturer and mentor may represent his most enduring impact – the students he trained and the cultural knowledge he helped preserve.

In April 2026, just two months before his death, Oyewo had publicly revealed his struggle with prostate enlargement. He disclosed that the condition had slowed him down and limited the roles he could take in films and stage productions. Speaking candidly about his health at the time, he said: “Before now, I could be here and there and play any role, but the sickness laid me back. I can’t play some roles anymore. Except for some minor roles. Well, thank God I am okay now. You can’t go through some kind of sickness and go back to how you’ve been before, but I thank God.” His openness about his health struggles was characteristic of a man who believed in transparency and used his platform to encourage older adults to take their health seriously.

Earlier this year, as Oyewo celebrated his 80th birthday in March 2026President Bola Tinubu described him as a “national treasure” and a worthy ambassador of Yoruba theatre and Nigerian storytelling. The President emphasized Oyewo’s long-standing influence on academia, theater, and film, stating that generations of performing arts practitioners and scholars have been impacted by the veteran actor’s work. The presidential recognition underscored the high regard in which Oyewo was held, not just within the entertainment industry, but at the highest levels of the Nigerian state.

Oyewo’s passing underscores the gradual departure of a generation that laid the foundations for modern Nollywood. Before streaming platforms, social media promotion, and blockbuster premieres, there were theatre practitioners like him who travelled, performed, taught, and documented Nigerian stories with unwavering dedication. Their work created the cultural ecosystem upon which today’s industry stands. What distinguished Kola Oyewo was not celebrity, but longevity and intellectual depth. Few performers successfully navigated traditional theatre, film, television, and academia while maintaining relevance across generations. He did so with quiet authority and a deep respect for craft. His career became a living archive of Nigerian performance history. The curtain has fallen on one of Nigeria’s most respected theatre icons, but his voice will continue to echo through classrooms, stages, and screens for years to come. He is survived by his children, grandchildren, and great-grandchildren. Further details regarding his funeral arrangements and official memorial services are expected to be announced by the family and university authorities in the coming days.

Veteran Nollywood Actor, Scholar Kola Oyewo Dies at 80

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“She Wanted to Stay Single”: Rema Opens Up About Rejection That Inspired Hit Song ‘Oh No’

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“She Wanted to Stay Single”: Rema Opens Up About Rejection That Inspired Hit Song ‘Oh No’

During a live stream with online creator Okiki, the 26-year-old Afrobeat star reflects on personal vulnerability and early stardom.

Nigerian music star Divine Ikubor, globally recognized as Rema, shared a candid look into his romantic life on Friday night, revealing that unreciprocated feelings directly inspired his hit track ‘Oh No.’

Speaking during an interactive live stream with content creator Okiki, the 26-year-old chart-topper recounted how an attempt to start an exclusive, serious relationship ended in sudden rejection when the woman declined to settle down.

According to Rema, the lady openly informed him that she preferred to enjoy single life and explore her personal autonomy rather than commit to a monogamous partnership. Consequently, the musician poured his emotional disappointment directly into the creative process, turning the painful heartbreak into the melodic foundation for ‘Oh No.’

Rather than masking the setback, he explained that sharing raw personal experiences allows him to connect genuinely with fans who navigate similar romantic dilemmas.

Furthermore, the Afrobeats phenomenon reflected on the broader emotional impact of global success, explaining that achieving runaway fame at age 17 forced his personal life to move at a breakneck speed.

To regain his footing, Rema noted that he is currently taking time out to step back, re-evaluate his priorities, and focus on grounded self-reflection. Ultimately, his candid remarks offer a rare, vulnerable perspective on the relatable personal trials that exist behind international superstar status.

“She Wanted to Stay Single”: Rema Opens Up About Rejection That Inspired Hit Song ‘Oh No’

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Adunni Ade Reveals Christian Fans Unfollowed Her After Publicly Identifying as Muslim

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Adunni Ade Reveals Christian Fans Unfollowed Her After Publicly Identifying as Muslim
Adunni Ade

Adunni Ade Reveals Christian Fans Unfollowed Her After Publicly Identifying as Muslim

Nollywood actress Adunni Ade has opened up about the reaction she received after publicly identifying as a Muslim, revealing that some of her Christian fans unfollowed her because of her religious identity.

The actress said she initially found it difficult to openly discuss her faith because of what she described as the pressures associated with being a public figure in the Nollywood industry.

According to Ade, publicly identifying as a Muslim within the Nigerian film industry can be difficult, and she described the situation as “almost forbidden” based on her personal experience.

She explained that she eventually became tired of keeping her religious identity private and decided to be open about her faith.

Ade said the decision came with consequences, including losing some followers and receiving messages from people who questioned her choice.

“Some people unfollowed me. I got DMs from people trying to cast out spirits. Some people prayed for me,” she said while discussing her experience.

However, the actress added that she also received considerable support from Muslims, many of whom welcomed her more warmly after she publicly acknowledged her faith.

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Ade stressed that her decision to practise Islam should not be interpreted as an attack on Christianity or Christians.

She said she had experienced both Christian and Muslim religious environments and was not suggesting that Christianity was a bad religion. Rather, she explained that Islam was the faith that worked for her personally.

The actress’ comments have renewed attention on her long-standing and publicly discussed religious journey, which has included experiences with both Christianity and Islam.

Ade had previously spoken about her faith in 2020, explaining that she was born and raised Muslim but grew up in a family where different religious traditions were represented.

She said her father allowed his children to choose their preferred religion, while members of her extended family included both Christians and Muslims.

The actress also disclosed that she attended different Christian churches, including Mountain of Fire and Miracles Ministries (MFM), Redeemed Christian Church of God (RCCG), Christ Living Apostolic Ministry (CLAM) and Christ Apostolic Church (CAC).

Ade said she later returned to Islam on December 31, 2016, after reflecting on her religious identity and concerns about how people might react to her decision.

She said at the time that returning to Islam made her feel happier and more fulfilled.

Her religious identity also came under renewed public discussion in 2026 after she was seen attending an event at a Celestial Church of Christ in Lagos.

Following questions from social media users about whether she had returned to Christianity, Ade clarified that she remained a practising Muslim.

She explained that her presence at the church-related event was connected to her professional relationship with the celebrant and was not evidence of a change in her religion.

Ade’s latest comments therefore provide further context to a faith journey she has discussed publicly over several years.

While describing her experience as difficult at times, she maintained that her decision to openly identify as a Muslim was ultimately a personal one.

Her statement that being openly Muslim in Nollywood is “almost forbidden” reflects her personal experience and perception; it should not be taken as evidence of a formal industry-wide rule restricting actors from publicly identifying with a particular religion.

The actress’ disclosure has also highlighted the wider challenges public figures can face when personal beliefs become subjects of public discussion, particularly in an industry where celebrities often maintain diverse fan bases with different religious and cultural backgrounds.

Adunni Ade Reveals Christian Fans Unfollowed Her After Publicly Identifying as Muslim

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BREAKING: Olu Jacobs Dies at 84, Atiku Mourns Cultural Icon

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BREAKING: Olu Jacobs Dies at 84, Atiku Mourns Cultural Icon

 

Veteran Nigerian actor and film executive, Oludotun Baiyewu Jacobs, popularly known as Olu Jacobs, has died at the age of 84, with former Vice President Atiku Abubakar describing the late Nollywood icon as “an institution” and “a cultural icon” whose contribution helped shape Nigeria’s creative industry.

Jacobs’ death was announced on Wednesday, September 16, by his son, Olusoji Jacobs, who described the celebrated actor as “The Lion of Lufodo” and called on bloggers and social media influencers to respect the family’s privacy as they mourn.

“It is with gratitude to God for a life well lived and fought, that we announce the passing of our dear husband, father, grandfather and uncle. The Lion of Lufodo,” Olusoji said in the announcement.

Reacting to the death, Atiku said Nigeria had lost far more than a great actor, describing Jacobs as “an institution, a cultural icon and one of the finest ambassadors of our creative spirit.”

The former vice president said Jacobs had become part of the collective memory of generations of Nigerians through his distinctive voice, commanding performances and decades of dedication to his craft.

According to Atiku, Jacobs was already making his mark internationally before Nollywood emerged as a global phenomenon, and his career helped lay foundations for the Nigerian film industry while inspiring younger generations of actors.

“The curtain may have fallen on an extraordinary life, but the characters he gave us, the standards he set and the generations he inspired will continue to speak for him,” Atiku said.

He expressed condolences to Jacobs’ wife, veteran actress Joke Silva, their children and the wider Jacobs family, as well as members of Nollywood and the African creative community.

Atiku said Jacobs “gave Nigeria his talent, his voice and a lifetime of excellence,” adding that the country would remember him with pride, affection and gratitude.

Jacobs, whose career spanned theatre, British television, international film and Nollywood, was trained at the Royal Academy of Dramatic Art in London. He became one of Nigeria’s most recognisable screen and stage actors and was associated with the development of the Nigerian film industry.

His death marks the end of a career spanning more than five decades and has already triggered tributes from political figures, actors and other members of Nigeria’s entertainment industry.

 

 

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