Entertainment
Firm brings back Mainland Laffs family comedy show
Entertainment Lagos is set to experience a major boost this December with the readiness of Mainland Laffs, a comedy show that offers a refreshing approach to family entertainment.
The event set to take place on December 5 in Ikeja is being organised by Trevent Company, one of the fastest growing event solution companies in Lagos.
Speaking about the idea behind the show, the Executive Producer of the Show, John Odiboh, said Lagosians would experience an exciting evening with their rich lineup of top comedians, actors and musicians at the event.
Those expected to entertain the audience with rib-cracking jokes, according to a statement by Odiboh, are top Nigerian comedians such as Josh2funny, Officer Woos, Ajebo, Ebute, Forever, Samll Stout, Oniru and several others while Nollywood legends, Ayo Mogaji and Dele Odule, are also billed to make a special stage appearance in a one of its king pantomime comedy drama.
Also billed are a variety of children virtuoso performances to build the culture of the arts into our youths.
He said, “The Mainland Laffs has the usual attractions like standup comedy, pantomine comedy, musical performances, and stage drama.
“However, because of our resolve to make this a family delight, there will also be children performances, play courts for children, arcade games and even photo booths.”
Odiboh also stated that the USP of Mainlandlaffs is Clean Entertainment, adding, “It’s all about family entertainment.”
He noted that gone were the days where families could come out together on Sunday afternoons and enjoy a comedy performance or entertainment evening together.
“We want to promote fun and entertainment, but in a healthy, wholesome way, that makes you happy yet in an and instructive and safe way. So, we expect our guests to feel free to come with their children, nieces and nephewstoenjoy that special family time out with good music, clean comedy/ music and loads of exciting games for the kids to enjoy,” he said.
Speaking on the choice of Ikeja for the show, the Creative Director of The Trevent Company, Olumide Campbell, said that this was a strategic choice to address the cliché among LagosiansthatLekki and Victoria Island are the only destinations for premium events.
He said, “This is why we picked a premium location that is a perfect fit for an event of this class, which is situated in the heart of the capital city of Lagos and also offers entertainment and convenience, from ample parking lot to high level security, serene environment, classy indoor aesthetics and lots more.
“With more events like this happening in Ikeja, there is really no need for residents of Ikorodu, Magodo, Iyana Ipaja, Isolo, Festac and other mainland neighborhoods to travel all the way to the island for premium entertainment.
“We are looking to host 175 guests on 25 regular tables, 60 guests on 10 VIP tables, 300 guests at the gallery, 10 million online and television viewers, 15 international acts including speacialmusical appearances by Chike, Ladipoe and Mimz as well as 20 exhibition booths featuring corporate exhibition stands, book stalls and fashion stands, amongst others.
“We are aware that in changing the narrative about what part of Lagos has the key to the best of entertainment, we will need a lot of media and brand support and we do hope that when corporate brands and our media friends see this event, they will agree that it is one that they should partner and support.”
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St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
Iyun Janet Ajilore, the celebrated Nigerian Juju and highlife musician popularly known as St. Janet, has died after a brief illness. The news of her passing has sent shockwaves through the entertainment industry, with fans and colleagues mourning the loss of one of the most unique and fearless voices in indigenous Nigerian music.
The veteran entertainer reportedly passed away on Saturday, August 1, 2026. Publisher and socialite Otunba Femi Davies announced the news early on Sunday through his social media handles. According to Davies, St. Janet died after a brief illness. Her family has yet to release an official statement detailing the circumstances surrounding her death or announce funeral arrangements.
St. Janet, who was also fondly called “Mama Yabis,” carved a unique niche for herself in Nigeria’s indigenous music scene. She rose to prominence as one of the most prominent female voices in a genre largely dominated by male performers. Her style was a distinctive blend of Juju and highlife music with witty, socially unfiltered lyrics that often addressed societal issues, gossip, and everyday happenings. This earned her a reputation as a fearless and charismatic entertainer who pushed boundaries and sparked public debate about censorship and artistic expression.
Known for her electrifying live performances and engaging stage presence, St. Janet became a regular feature at weddings, birthdays, chieftaincy ceremonies, and other high-profile social gatherings across southwestern Nigeria. Her music, often performed in Yoruba and infused with rich cultural expressions, earned her a loyal following. Some of her notable and controversial albums included ‘Faaji Plus’ and ‘5G Plus,’ which pushed cultural boundaries and sparked public discussion.
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Interestingly, the controversy surrounding her ‘Faaji Plus’ album was never intended for public consumption. In a previous interview, St. Janet explained that the music was a live performance at a private party for select guests that was later pirated and released to the public. She stated, “The CD that you see out there is not really an album. It was a live performance at a party for selected people. The music is meant for adults. It was not meant for everybody.”
Despite the controversy, St. Janet remained unapologetic about her artistic style. “I know that people are criticising me because I am a woman. If I were a man, nobody would complain that I am singing obscene songs,” she once said. She insisted that her music reflected societal realities and that she gave her audiences what they wanted. At the same time, she maintained that her on-stage persona was different from her off-stage character, describing herself as naturally shy and reserved.
The late musician’s background was deeply rooted in Christianity. She was a chorister in a white garment church before transitioning into professional music. This religious foundation often influenced her performances, as she would start her shows with gospel songs before moving into more provocative material, a strategy that one scholar described as an “insidious approach” to erotic performances.
Her career spanned decades, beginning as a backup singer for her master, Lord Kenge, before launching her solo career. She once explained that her stage name “Saint” came from her master, who called her a “saint” because of her quiet, reserved nature off-stage.
St. Janet’s passing has generated an outpouring of grief from fans, colleagues, and lovers of indigenous Nigerian music, many of whom have taken to social media to pay tribute to the late performer. She is remembered as an entertainer with unmatched stage charisma and an enduring legacy that contributed significantly to preserving and promoting Juju and highlife music in Nigeria.
As of the time of filing this report, members of her family have yet to issue a detailed statement on the circumstances surrounding her death or announce burial arrangements. The passing of St. Janet marks the end of an era for many followers of indigenous Nigerian music, but her extensive body of work and contributions to the preservation and promotion of Yoruba musical heritage are expected to endure for generations.
St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
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