Opinion
Jimi Solanke, Wasiu Ayinde and the cartoon called Nigeria
Jimi Solanke, Wasiu Ayinde and the cartoon called Nigeria
Tunde Odesola
(Published in The PUNCH, on Friday, February 16, 2024)
Aníkúlápó is the man who bears death in a pouch, not Jimi Solanke. Solanke knew a braggadocious name couldn’t stop death. So, when death came calling, Solanke followed it without fear. But Solanke wasn’t afraid of death, he was afraid of life – this he told me many years ago at the backstage of the Oduduwa Hall, Obafemi Awolowo Univerity, Ile Ife, when I sneaked up on him.
It is true, time is a virus that corrupts memory. Despite its limitation, however, memory remains nature’s hard disk embedded in the skull of every mortal. And, when I bolted from the Oduduwa Hall congregation – in pursuit of Solanke – to the backstage, I never knew my inquisitiveness would someday memorialise his memory.
I can’t remember the particulars of the event that was held in the architectural wonder called Oduduwa Hall many, many years ago. But I remember Baba Agba, as Uncle Jimi Solanke was popularly called, being the moderator of the event. As his baritone soaked the hall in honey, my mind journeyed down memory lane, marvelling at the lanky enigma before the audience – the great Jimi Solanke – world-class storyteller, actor, folklorist, singer, playwright, poet, dancer, guitarist, drummer, cultural aficionado and compere extraordinaire!
“Tunde, you must interview this wizard,” I told myself. So, I bided my time, looking for a break. My lucky break came when the session went on a break, and Baba Agba sauntered backstage. I sneaked away from my reporter colleagues, melted into the shuffling crowd, and went after him.
“Good morning, sir!” “Good morning, my dear,” he replied, the glint in his eyes was welcoming. Wow!! I couldn’t believe I was talking live with Mr Voice himself. My heart raced like a rabbit in a park. “My name is Tunde Odesola; I’m from PUNCH newspapers,” I identified myself. “Oh, PUNCH, that’s my paper,” he said. “Thank you, sir,” I gushed. “It’s a dream come true talking to you, sir.” He eyed me with his big eyes.
I didn’t bring out my tape recorder yet because I didn’t want him to see me as a bother. I continued, “I thought you came out to smoke, sir” “Oh, no! I quit smoking,” he said in his rich voice. “You quit? Why? Health reasons?” I fired a threesome.
“I’ll tell you the short story. Someone died in my family and relatives converged in my house to discuss the burial. I stepped out to smoke. When I stepped back into the house, it was as if I carried faeces with me into the house. Everyone turned their noses up, looking at me as though I was a strange object. I felt embarrassed. That wasn’t the first time I would step into a gathering after smoking a cigarette, and people would feel uneasy. To make people not feel awkward by my smoking, I decided to stop. They say smokers are liable to die young, I’m no longer young, 70 is around the corner,” he said with a grin.
No matter the manner of death that kills the elderly, his cranium won’t vanish; kò sí ikú tí yíò pa àgbàlagbà, tí a ò ní bá poolo orí è. This proverb means no matter the situation, the elderly must speak the truth at all times, without fear. Solanke exemplified the letters and spirit of this proverb through his art.
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There, at the backstage of Oduduwa Hall, Solanke wasn’t afraid of telling me the truth about his struggles with smoking, he wasn’t afraid of facing the challenge too. Solanke is the citizen Nigeria desires but does not deserve.
The same thing cannot be said of Fuji music maestro, Alhaji Wasiu Ayinde, aka K1 De Ultimate. Wasiu is far beneath the league of Solanke and his kindred, Tunji Oyelana. Wasiu is the citizen Nigeria desirously deserves – tribalistic, selfish, ignorantly endowed and materialistic. The Nigerian citizen epitomised by Wasiu sees music as a means to a cash-and-carry end and not a selfless tool for social change.
In the heat of the economic hardship suffered by Nigerians during the Olusegun Obasanjo presidency, Wasiu, in 2006, lifted his voice up to God, singing unto Him to eclipse Obasanjo, “Ba wa mu baba kuro..” But Wasiu’s tongue appeared super-glued to his palate and his ears stuffed with palm oil wool when the herdsman, General Muhammadu Buhari, misruled the country for 8 years as he didn’t give Buhari, who’s the worst Nigerian leader ever, the same treatment he gave Obasanjo.
Wasiu has kept a deafening silence since the economy further nosedived after his tin god, President Bola Tinubu, assumed power in 2023. In societies emancipated from mental slavery, Wasiu’s action would’ve been met with a backlash that would affect his musical image and fortunes, but Nigeria is Babel, where the Toad’s croaking is music to the ears.
Did Solanke love children? No. He worshipped them. He dedicated his life of storytelling to them. In his programme, Story Land, Solanke would dance like a five-year-old, giggle like a preteen on his first excursion, and yet pass across his teachings with the charm of sage. Oh, how I love him!
Solanke saw the wicked world through the innocent eyes of the child and armed himself with a paddle strong enough to steer his canoe, singing on his earthly journey his songs of wisdom that include Baba Agba, Onile Gogoro, Eje ka jo, Jenrokan, Na Today You Come, among others.
Since he travelled to America after graduating from the Theatre Arts Department of the University of Ibadan in 1969, before his eventual return to Nigeria in 1986, Solanke produced many albums such as In the Beginning, Ase, Orin Orisa, Storyteller, America Has Got Magic, Multiplicity of Praise, Hidden Gold, Once Upon a Time, among others. Gesamtkunstwerk is a German word that means total art. Solanke was a Total Man, who practised Total Art, giving his totality to his art.
That was why Solanke, the voice of the narrator in the Nollywood blockbuster, Jagunjagun, was ever happy, contented and respectable. That was why he was never a servant at Bourdillon. However, this is not to say Wasiu has no class at all. Wasiu has his own class and remains a savant of Fuji, with great hits under his belt. But when compared with Solanke, shoe get size.
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At this juncture, I want to wear the Solankean robe and see the world through the eyes of a friend’s 11-year-old child. ’Busola Durojaiye was a younger colleague in the pen-pushing profession. She distinguished herself at the Osun State Broadcasting Corporation, Osogbo, in the early 2000. She has a good grasp of the sociopolitical and economic situation of Nigeria, making her my go-to person on Nigerian gists.
Last week, our talk centred on the exorbitant prices of foods, goods and services across the country. ’Busola has a wicked sense of humour. “Ara n kan everybody ni Nigeria o, everybody is touchy. Everybody is sick. Even ‘your’ daughter (name withheld) is sick,” she said. “Ha, kilo se, what’s she sick of,” I asked, worried.
“On Saturday, her boarding school housemistress called, saying Angel (not her real name) was sick with fever. The housemistress said she had been taken to the hospital for a Widal Test, whose result was being expected. I told the housemistress to give the phone to Angel,” ’Busola explained.
“When Angel came online, she said she had a high fever. Orí mi kó kó fò lo ná; I was alarmed. High fever ke? Angel said she wasn’t the only one having a high fever in the school. She said about 12 students were affected, including two of her close friends, Dab and OmoT (real names withheld). Then, in a conspiratorial tone, she said, ‘The doctor and nurse said I have no blood at all’.
“I asked her if the doctor and the nurse told the housemistress about her having no blood at all. She said no. She said the doctor and the nurse confided in her only. Angel then told me she knew the remedy to her acute blood shortage. She listed the remedy to include malt drink, ice cream and jollof rice from a particular restaurant. I told her it was blood that she needed, but she said ice cream, malt drink and jollof rice produce better blood. She said students, including her two friends, whose parents had sent money for the cure, were already getting well.
Mother sent N11,000 to daughter’s housemistress for the cure of blood shortage. When mom called the next day, Angel’s voice was clearer. “How are you feeling now, Angel?” mother asked. “Blood is returning to my body now,” she said. “How did you know blood is returning to your body,” mother queried. “I can feel it in my system,” daughter answered.
Solanke understood the ways of children. He must have loved cartoons, too. Nigeria is a huge cartoon; a cruel, unfunny joke, yoking the storyteller and his audience. At 63, Nigeria remains a child, its spine cracked by corruption, nepotism and evil leadership.
When will blood return to the veins and arteries of Nigeria? When, I ask?
Email: tundeodes2003@yahoo.com
Facebook: @Tunde Odesola
X: @Tunde_Odesola
Jimi Solanke, Wasiu Ayinde and the cartoon called Nigeria
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Opinion
Adelabu’s Power Lines as Laundry Lines
Adelabu’s Power Lines as Laundry Lines
Azu Ishiekwene
In many parts of the country, the rains poured down earlier in the week, bringing much physical and psychological relief from the searing heat.
The absence of electricity from public supply channels made it worse. Average daytime temperatures throughout March ranged from 33 degrees to 38 degrees centigrade in Lagos and Abuja, respectively.
Nigeria’s public electricity grid must rank among the most intractable problems any developing country could face. There is hardly anything more constant than the announcement of grid collapse, which leaves businesses and homes seeking alternatives and incurring unplanned expenses while paying for electricity not supplied.
What Candidate Tinubu promised
During his 2023 campaign, President Bola Ahmed Tinubu said that if he didn’t fix the problem, he shouldn’t be voted in for a second term. He must be regretting that statement now. Since the beginning of his administration in May 2023, there have been multiple grid collapses, with the highest number recorded in 2024 at 12. Even when incidents were fewer, sporadic outages have continued. The failure, on face value, is attributed to a mix of technical, structural and administrative weaknesses in the system. But there is more to it in the sense in which it is said: “The more you see, the less you understand.”
So unreliable is the public electricity supply that the Presidential villa appropriated N10 billion in 2025, and an additional N7 billion in 2026 for the installation of a solar mini grid that will effectively disconnect Nigeria’s seat of power from the national grid, bedevilled by ageing transmission lines which collapse repeatedly from sabotage, poor maintenance, and frequency imbalances.
The joke is on us
Nigerians, ever ready to make a jest of their tragic maladies and long suffering, are beaten when it comes to power outages. They are shocked beyond humour. If the high-tension cables were not too high overhead, people in communities through which they run would not hesitate to hang their laundry on them – knowing from experience that the lines are just part of the landscape and are very likely to be without electricity.
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I have seen a video of a masquerade performing on a streetlight pole. Of course, the crowd applauded its invincibility; yet, both the crowd and the masquerade knew better. The lines had not been electrified for months and were unlikely to be for the spell of the circus.
Hope was rekindled at the beginning of the Tinubu administration when news filtered through that the currently embattled former governor of Kaduna State, Nasir El-Rufai, had not only produced a blueprint, but was going to be given the assignment of sorting out Nigeria’s notorious electricity sector. I learnt reliably that, as part of his plan, El-Rufai was discussing a $10 billion investment agreement with the Saudis before he ran into rough weather.
The coming of Adebayo
That was how Adebayo Adelabu took the job – a job at which he has performed so disastrously, saying he failed would be an honour. But it’s not his fault – it’s the fault of the President who appointed him and the Senate that cleared him for a job that he was clearly incompetent to perform, either based on his record or based on any hope of redemption. He is brilliant, but the power sector is littered with the remains of brilliant people, among whom he is now a fossil.
His better years were when he worked as an auditor at PWC. He was also the Executive Director/CFO at First Bank, and later a deputy governor at the Central Bank. He may not have been directly responsible for the misfortunes of these institutions at the time, but he doesn’t exactly smell of roses.
In the normal course of things, his banking career should have been a yellow flag. Still, Nigeria being Nigeria, the quota system and political connections ensured that he defied gravity.
Then, in 2023, Tinubu offered him the position of Minister of Power, after his failed attempt to become governor of Oyo State on the platform of the Accord Party. That only worsened our misery. Adelabu will be best remembered for splitting electricity consumers into parallel payment bands that do not necessarily reflect improved services.
The thing is not that Adelabu failed at his job. It’s the lack of evidence that he tried. Mr Dan Kunle, an energy expert familiar with the history of that sector, told me that, “No one is saying a power minister should provide the resources to fix the sector from thin air. It’s for him to provide a solid framework that would create the right environment and attract sovereign intervention.”
Adelabu, like many of his predecessors, is running the power ministry in 2026 with the 1950 operational manual of the Electricity Corporation of Nigeria (ECN). Yet, even then, when the country had a population of about 50 million, the British knew that electricity was an economic good. To provide meaningful and sustainable service, they had to prioritise not just the key administrative centres but also areas that could pay. That was why, for example, coal was shipped from Enugu to the Ijora Power Station in Lagos.
No roadmap
Adelabu has no roadmap, or if he has one for a population four times what it was under ECN, it’s a roadmap to nowhere. The same old problems persist: gas shortages, moribund plants, infrastructure deficits, massive debts, and frequent grid collapses, limiting supply to about 4,000 MW despite a capacity of 13,000 MW.
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While Adelabu may wring his hands alongside Nigerians when the lights trip off, the sector has been drowning under the yoke of N6 trillion in debt as of late 2025, fuelled by non-cost-reflective tariffs and unpaid bills to both generating and distribution companies. Some of the problems predate Adelabu, but his incompetence has worsened them.
Yet, he still has ambition. Not to redeem himself after his disastrous three years as minister, but to become the governor of Oyo State. Obviously, he believes the reward for poor performance is a higher office. He is so shameless, it means nothing to him that he holds the Olympic record for national grid collapse. It means nothing to him that Nigerian businesses are powered by Indian generators and their homes by Chinese solar panels.
Examples from Africa
Egypt, with a population of 110 million, has 100 percent universal electricity access, supported by a heavy reliance on gas (81 percent) and growing low-carbon sources like hydropower. This ensures a stable supply amid population pressures.
South Africa serves 85-90 percent of its 62 million residents but faces severe shortages. Frequent load shedding persists due to Eskom’s debt, ageing infrastructure, and maintenance issues, despite high per-capita generation.
Ghana reaches 88-89 percent coverage for 34 million people, with hydro and thermal power dominating. Urban areas enjoy near-99 percent access, while rural areas still have gaps and occasional outages.
Kenya hits 76 percent for 56 million, excelling in urban (97 percent) and geothermal power. Rural expansion lags, though targets aim for full access by 2030.
Compared to the countries above, only 57 percent of Nigerians are grid-connected, with outages occurring 85 percent of the time, and poor metering and corruption that sustain estimated billing and inefficiencies.
After watching Adelabu perform so poorly over the last two years on the national stage, I was hoping he would go away quietly, under the shadow of the darkness he has fostered. But since he insists that he won’t leave quietly – or appears determined to stay on – I’m considering a self-appointed mission to drag him to Oyo State to see how he will turn their night into day.
Adelabu’s Power Lines as Laundry Lines
Ishiekwene is the Editor-In-Chief of LEADERSHIP and author of the book, Writing for Media and Monetising It.
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