Gangs of Lagos movie, a mockery of our heritage- Lagos govt - Newstrends
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Gangs of Lagos movie, a mockery of our heritage- Lagos govt

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Lagos State Commissioner for Tourism, Arts and Culture, Mrs. Uzamat Akinbile-Yussuf

Gangs of Lagos movie, a mockery of our heritage- Lagos govt

 

LAGOS State Government has expressed displeasure with the promoters of the “Gangs of Lagos” film/series over what it described as “cultural misrepresentation” as well as portraying the culture of the state in a derogatory manner.

In a reaction by the state government, the Commissioner for Tourism, Arts and Culture, Mrs. Uzamat Akinbile-Yussuf said the Ministry, being the regulatory body and custodian of the culture of Lagos State, viewed the film/series as a mockery of the Heritage of Lagos.

Earlier, Prince Uthman Shodipe-Dosunmu, the Apesinọla Ẹyọ Ọba Alakẹtẹ Pupa Ọkalaba Ẹkun, a cultural group, had condemned the film, calling for an immediate withdrawal.

Shodipe-Dosunmu described the film as “ethnic profiling, sacrilegious and outrageous trash.”

Meanwhile, the commissioner expressed her disappointment with the promoters of the film, Jade Osiberu and Kemi Akindoju, for portraying the Eyo Masquerade as a gun-wielding villain while adorning the full traditional regalia.

Instructively, the Eyo Festival is rarely observed and only comes up as a traditional rite of passage for Obas, revered Chiefs and eminent Lagos Indigenes while the Eyo Madquerade is used as a symbol of honour for such personalities and remarkable historical events.

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According to Akinbile-Yussuf, “We are of the opinion that the production of the film ‘The Gang of Lagos’ is very unprofessional and misleading while its content is derogatory of our culture, with the intention to desecrate the revered heritage of the people of Lagos.

“It is an unjust profiling of a people and culture as being barbaric and nefarious. It depicts a gang of murderers rampaging across the State”.

The state government maintained that “the Adamu Orisha, popularly known as the Eyo Festival, is rarely observed and only comes up as a traditional rite of passage for Obas, revered Chiefs and eminent Lagosians.”

Akinbile-Yussuf, stressed that “the Eyo Masquerade is equally used as a symbol of honour for remarkable historical events.

“It signifies a sweeping renewal, a purification ritual to usher in a new beginning, a beckoning of new light, acknowledging the blessings of the ancestors of Lagosians.”

Lagosians are not Gangsters-Says Eyo custodian,Shodipe-Dosunmu

In an earlier reaction via a statement, Shodipe-Dosunmu, described the film as reckless, disgusting distortion of the sacred illustration of Lagos culture.

According to him, “There is a film presently being promoted by one Jade Osiberu and another character called Kemi Akindoju. The so called movie is an ugly, hate filled mockery of the Lagosian heritage.

“In their reckless, disgusting distortion of the sacred illustration of the Lagosian culture the film makers reduced the Eyo masquerade into a gun toting killing machine, clothing their misfit actors in the full regalia of the Eyo and with the Aga depicting some Conclaves.

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“This is a total abomination. It is not only a distortion of our culture, it is a dark insidious profiling of our people as criminals and murderers rampaging across Lagos.

“The Adamu Orisha is a treasured cleansing ritual, a sacred rite performed on the passage of an Oba or for their coronation.

“It is also used to honor distinguished Lagosians as their final rite of transition.

“Since Ejilu and Malakin, the brothers of Olori Olugbani first initiated the Eyo rite in celebration of Oba Ado Keme, the Adamu Orisha has become a sacred ancestral heritage celebrated with awe and deserving adoration.

“It signifies a sweeping renewal, a purificational ritual to usher in a new beginning, a beckoning of new light, acknowledging the blessings of our ancestors.

“To use the sacred Adamu Orisha Masquerade as an object of terror and loose criminality is to savage and despoil the Lagosian tradition.

“It is vile, evil, perverse; an utterly sadistic mangling of who we are as peace loving, accommodating and enlightened people.

“We demand an immediate withdrawal of this sacrilegious and outrageous trash.

“We demand that the National Film and Video Censors Board and all appropriate authorities to ban this blatant mockery disguising as cinematography and impose the most punitive sanctions on the sponsors of this venomous ethnic profiling.

“We also appeal to the Lagos State Government, the Oba of Lagos Alayeluwa Oba Rilwan Akinolu, all the custodians of our tradition including the Alaworo of Adamu Orisha and Akinsiku Chief Ademola Dosunmu to rouse up in protective defense of our tradition against the ravages of these agents of condemnable pollution of all that we cherish in this sacred soil of Oba Ado Keme.

“Ethnic profiling is recognized as a crime against humanity by the International Court of Justice.

“This provision can also be invoked against these sacrilegious hate baiters.”

Gangs of Lagos movie, a mockery of our heritage- Lagos govt

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We Learnt of His Death on Instagram’: Toluwanisings’ Family Demands Answers Over Mysterious Circumstances

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ToluwaniSings’ Final Hours: Aide Reveals Desperate Search Across 8 Hospitals

‘We Learnt of His Death on Instagram’: Toluwanisings’ Family Demands Answers Over Mysterious Circumstances

 

A family dispute has erupted following the death of a young man identified as Sodiq, popularly known as Toluwanisings, after his relatives raised serious questions about the circumstances surrounding his death and how they were informed of the tragedy.

 

The deceased’s family, through a statement by a man who identified himself as the younger brother of Sodiq’s father, accused members of his wife’s household of failing to notify his biological family about his death before information about the incident surfaced on social media.

 

The family representative said five relatives travelled to the deceased’s residence in Ibadan, Oyo State, following the news of his death, expecting to meet a grieving household.

 

However, he claimed that what they encountered at the residence left them deeply disturbed.

 

According to his account, there was no visible atmosphere of mourning, as people were allegedly moving around with food and takeaways while others watched television.

 

He said he personally demanded that the television be switched off, questioning what he described as a lack of respect for the deceased.

 

The family representative further alleged that when he asked Sodiq’s wife whether she recognised the five people who had visited, she said she knew only two of them.

 

He described the response as another source of concern, considering that the visitors were relatives sent by the deceased’s family.

 

The controversy reportedly intensified when the relatives requested that the deceased’s personal assistant (PA) take them to the mortuary where his body had been embalmed.

 

According to the uncle, they initially encountered resistance, alleging that attempts were made to prevent them from accessing the deceased’s remains.

 

He said he eventually contacted the family elders who had sent them to report the development and seek further instructions, insisting that their mandate was to see the body of their deceased son.

 

The uncle claimed that the PA eventually agreed to take them to the mortuary after it became apparent that the family would not abandon its demand.

 

He described seeing Sodiq’s lifeless body as an emotionally devastating experience, saying the reality of his death finally became clear to the visiting relatives.

 

The family representative also disclosed that he confronted the deceased’s wife with questions about her relationship with Sodiq’s biological father.

 

He claimed that she confirmed having met her father-in-law but could not explain why she had allegedly failed to check on him.

 

According to the statement, she also said she did not know where her father-in-law lived.

 

The uncle further questioned why the deceased’s biological family allegedly learnt about his death through Instagram rather than receiving a direct telephone call from his wife.

 

He described the response to the question as silence.

 

The family representative also said he spoke with the wife’s mother, who reportedly disclosed that they were from Iwo, Osun State.

 

He alleged that the wife’s mother and her siblings were living in the same house with Sodiq, yet his biological father was not informed about his son’s death before the information became public.

 

The uncle further accused members of the household of attempting to secretly record the family during their visit.

 

He said the development added to the family’s concerns, particularly as they were seeking explanations about the circumstances surrounding the death of their son and brother.

 

Describing the experience as painful and unacceptable, he insisted that the family would not remain silent until the issues surrounding the incident were addressed.

 

He called for justice, transparency and respect for the deceased, stressing that no family should have to discover the death of its son through social media when close relatives could have been contacted directly.

 

The statement ended with renewed calls for answers under the hashtags #JusticeForToluwanisings and #JusticeForSodiq.

 

As of the time of filing this report, the allegations made by the deceased’s relatives had not been independently verified. The account of the wife and other members of her household was also not contained in the statement.

 

The circumstances surrounding Sodiq’s death, including the events preceding it and the reason his biological family allegedly did not receive prompt notification, remain issues requiring clarification.

 

Newstrends.ng will continue to follow developments surrounding the controversy and any response from the deceased’s wife, her family or relevant authorities.

 

We Learnt of His Death on Instagram’: Toluwanisings’ Family Demands Answers Over Mysterious

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Emeka Ike Loses ₦10bn Privacy Suit Against Wike’s Aide, INEC

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Emeka Ike Loses ₦10bn Privacy Suit Against Wike’s Aide, INEC
Nollywood actor and politician Emeka Ike
Emeka Ike Loses ₦10bn Privacy Suit Against Wike’s Aide, INEC

A Federal High Court in Abuja has dismissed a ₦10 billion lawsuit filed by Nollywood actor Emeka Ike against Lere Olayinka, an aide to Federal Capital Territory (FCT) Minister Nyesom Wike, and the Independent National Electoral Commission (INEC) over the alleged publication of his voter registration details on social media.

Justice Salim Ibrahim delivered the judgment on Wednesday, October 28, 2026, after considering objections raised by the respondents and the actor’s claims over the alleged violation of his right to privacy and protection of personal data.

Ike had approached the court seeking ₦10 billion in damages, arguing that Olayinka violated his fundamental rights by publishing information about his transfer of voter registration from Imo State to the Federal Capital Territory on his X account in May.

The suit, marked FHC/ABJ/CS/1272/2026, was filed through his lawyer, L.T. Adeh. The actor asked the court to declare that the publication of his voter registration information without his consent violated Section 37 of the 1999 Constitution, Article 12 of the Universal Declaration of Human Rights and relevant provisions of the Nigeria Data Protection Act 2023.

He also sought an order directing Olayinka to delete the disputed post and issue a written apology over the alleged infringement of his rights.

Ike further argued that INEC had a statutory responsibility to safeguard voters’ personal information against unauthorised access and disclosure. He maintained that the commission’s statement issued on June 2 in response to the controversy amounted to an admission of liability.

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However, INEC denied violating its obligation to protect voters’ information. The commission argued that the material in question was neither classified nor confidential and maintained that relevant electoral laws permitted certain voter information to be made available to the public.

INEC also denied that the disputed material originated from a breach of its secured database or that its systems had been unlawfully accessed.

Olayinka, in his defence, argued that the information he published contained Ike’s name and passport photograph, which he claimed were already in the public domain. He denied obtaining the information unlawfully or breaching any duty of confidentiality.

The aide also maintained that the publication was intended to draw attention to Ike’s transfer of voter registration and relevant provisions of the Electoral Act. He urged the court to dismiss the case, describing the actor’s damages claim as unjustified.

The dispute emerged after Ike indicated interest in contesting the AMAC/Bwari Federal Constituency seat in the House of Representatives in the 2027 general election on the platform of the Nigeria Democratic Congress (NDC). He subsequently lost the party’s primary election.

The dismissal represents a legal setback for the actor, who had sought substantial compensation over the publication of his voter registration details.

The case has also drawn attention to questions surrounding the handling of voters’ personal information, the limits of public disclosure and the responsibilities of electoral institutions in protecting citizens’ data.

Emeka Ike Loses ₦10bn Privacy Suit Against Wike’s Aide, INEC

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Tope Alabi Threatens Pastor With Lawsuit Over Toluwanisings’ Death Claims

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Tope Alabi Threatens Pastor With Lawsuit Over Toluwanisings’ Death Claims
Tope Alabi
Tope Alabi Threatens Pastor With Lawsuit Over Toluwanisings’ Death Claims

Popular Nigerian gospel singer and evangelist Tope Alabi has threatened legal action against individuals spreading what she describes as false and defamatory statements about her, warning that people who repost or share such content could also face legal consequences.

The singer’s warning comes amid online controversy over allegations linking her and other gospel ministers to the death of fellow gospel singer Olayemi Bayonile Bolaji, popularly known as Toluwanisings.

Alabi’s solicitors, Oakmount Legal Practitioners, issued a public notice dated October 23, 2026, which the singer shared on her Instagram page.

In the notice, the lawyers said they had been instructed to protect their client’s reputation against statements they described as false, misleading and injurious, allegedly being circulated through social media, videos, audio recordings, broadcasts and other platforms.

The legal team noted that Alabi had spent almost 30 years building her personal, professional and spiritual reputation, describing it as an important asset protected by law.

The lawyers warned that potential liability could extend beyond the original author of an allegedly defamatory statement to anyone who republishes, reposts, forwards or otherwise amplifies it, depending on the circumstances and any applicable legal defences.

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They also cautioned social media users against assuming that anonymous or pseudonymous accounts would protect them from legal action.

According to the notice, Alabi reserved the right to seek court orders, where legally permissible, to identify individuals responsible for the publications through social media platforms, website hosts and other relevant service providers.

The lawyers directed anyone who had already published the allegedly defamatory material to remove it immediately and refrain from further publication. They added, however, that deleting a post would not automatically eliminate potential liability for its earlier publication.

The notice further stated that Alabi had authorised the law firm to institute proceedings against individuals whose conduct gave rise to actionable claims without further notice.

Among the remedies the singer could seek are damages, injunctions restraining further publication, court-ordered retractions, public apologies and legal costs.

However, the lawyers clarified that the notice was not intended to prevent legitimate criticism or restrict freedom of expression.

They said truthful statements, fair comment on matters of public interest and the lawful exercise of freedom of expression remained outside the notice’s intended scope.

In a subsequent development reported on October 24, Alabi’s lawyers threatened legal action against a Canada-based pastor identified as Tayo Kumuyi, also known as Pastor Tayo Ministries, over alleged social media publications linking the singer to Toluwanisings’ death and claims involving other gospel ministers.

According to reports, the solicitors issued a cease-and-desist letter demanding the removal of the disputed publications, a retraction and a public apology within 24 hours.

The lawyers also expressed concern over what they described as repeated allegations and a subsequent social media post directed at their client.

The allegations against Alabi have not been established as facts, and the legal notice represents her side of the dispute. The specific claims and the circumstances surrounding the gospel singer’s death require independent verification.

The development highlights the potential legal consequences of publishing and circulating serious allegations about individuals online, particularly when such claims concern criminal conduct and could damage their reputations.

As of the latest reports, it was not clear whether Alabi had filed a lawsuit in court over the publications.

 

Tope Alabi Threatens Pastor With Lawsuit Over Toluwanisings’ Death Claims

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