Entertainment
My father never recovered from NDLEA ordeal – Baba Suwe’s son
Adebowale, the son of a late comic actor, Babatunde Omidina, aka Baba Suwe, on Tuesday, said his father did not recover from what he suffered in the hands of the National Drug Law Enforcement Agency after he was accused of peddling drugs in 2011, which turned out to be false.
The actor died on Monday at his house in the Ikorodu area of Lagos State after battling a sickness. He was aged 63.
Adebowale, in a viral video on Monday, accused family members and friends of neglecting the veteran actor while he battled the illness.
However, while speaking at the residence on Tuesday, he apologised for making the video, saying he did not mean to disrespect anyone.
Speaking on his father’s sickness, Adebowale said the illness started after the NDLEA ordeal.
He said, “My father was a lovely person. Whenever I showed him his videos, he would start laughing and sometimes burst into tears and ask if it was him and if he would ever act again and I would console and assure him that he would act again, just to make him happy.
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“I can’t really say this was the cause of my father’s sickness, but since his matter with the NDLEA, my dad was not himself; he used to think about his wife and he used to think about us too because he still told me a few days ago that he was not sure if he would be with us for long and I told him that he would be with us.”
Narrating Baba Suwe’s last moments, Adebowale said he was in the gym on Monday when he was called that his father was not breathing well.
“I asked them to call a nurse to treat him and when I got home, I went to his room, talked to him; he was trying to talk to me, but he could not.
“He was taking his first drip when I got home and when he was taking the second drip, I went out to wash my kits. I was washing my kits when my mum came to tell me that my dad was dead. I had to ask her if she was joking because I just left him about five minutes ago; I rushed to his room and found out that he was dead.
“I was in shock and had to make a short video and because of the shock, I didn’t know what I was doing at that moment, so I posted it on my WhatsApp status and from there it went viral.
“I was surprised that within five minutes, the video had gone viral. What I have to say is that I’m sorry; I appeal to family members that I never meant it that way because I’m still young, but the shock affected me.”
The Governor of the Lagos State chapter of the Theatre Arts and Motion Picture Practitioners’ Association of Nigeria, Olufunmilayo Oyewunmi, while also speaking at the residence of the deceased on Tuesday, described him as a hero.
The Lagos State Governor, Mr Babajide Sanwo-Olu, in a statement, described Baba Suwe as a man who used his gift to advance the course of mankind.
He noted that his death had left a vacuum in the entertainment industry.
Meanwhile, another son of the deceased, Adesola Omidina, has stated that the actor will be buried on Thursday at his house in Ikorodu, Lagos State.
Punch
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Entertainment
Nollywood Actress Temitope Osoba Dies at 40 After Courageous Cancer Battle
Entertainment
St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
Iyun Janet Ajilore, the celebrated Nigerian Juju and highlife musician popularly known as St. Janet, has died after a brief illness. The news of her passing has sent shockwaves through the entertainment industry, with fans and colleagues mourning the loss of one of the most unique and fearless voices in indigenous Nigerian music.
The veteran entertainer reportedly passed away on Saturday, August 1, 2026. Publisher and socialite Otunba Femi Davies announced the news early on Sunday through his social media handles. According to Davies, St. Janet died after a brief illness. Her family has yet to release an official statement detailing the circumstances surrounding her death or announce funeral arrangements.
St. Janet, who was also fondly called “Mama Yabis,” carved a unique niche for herself in Nigeria’s indigenous music scene. She rose to prominence as one of the most prominent female voices in a genre largely dominated by male performers. Her style was a distinctive blend of Juju and highlife music with witty, socially unfiltered lyrics that often addressed societal issues, gossip, and everyday happenings. This earned her a reputation as a fearless and charismatic entertainer who pushed boundaries and sparked public debate about censorship and artistic expression.
Known for her electrifying live performances and engaging stage presence, St. Janet became a regular feature at weddings, birthdays, chieftaincy ceremonies, and other high-profile social gatherings across southwestern Nigeria. Her music, often performed in Yoruba and infused with rich cultural expressions, earned her a loyal following. Some of her notable and controversial albums included ‘Faaji Plus’ and ‘5G Plus,’ which pushed cultural boundaries and sparked public discussion.
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Interestingly, the controversy surrounding her ‘Faaji Plus’ album was never intended for public consumption. In a previous interview, St. Janet explained that the music was a live performance at a private party for select guests that was later pirated and released to the public. She stated, “The CD that you see out there is not really an album. It was a live performance at a party for selected people. The music is meant for adults. It was not meant for everybody.”
Despite the controversy, St. Janet remained unapologetic about her artistic style. “I know that people are criticising me because I am a woman. If I were a man, nobody would complain that I am singing obscene songs,” she once said. She insisted that her music reflected societal realities and that she gave her audiences what they wanted. At the same time, she maintained that her on-stage persona was different from her off-stage character, describing herself as naturally shy and reserved.
The late musician’s background was deeply rooted in Christianity. She was a chorister in a white garment church before transitioning into professional music. This religious foundation often influenced her performances, as she would start her shows with gospel songs before moving into more provocative material, a strategy that one scholar described as an “insidious approach” to erotic performances.
Her career spanned decades, beginning as a backup singer for her master, Lord Kenge, before launching her solo career. She once explained that her stage name “Saint” came from her master, who called her a “saint” because of her quiet, reserved nature off-stage.
St. Janet’s passing has generated an outpouring of grief from fans, colleagues, and lovers of indigenous Nigerian music, many of whom have taken to social media to pay tribute to the late performer. She is remembered as an entertainer with unmatched stage charisma and an enduring legacy that contributed significantly to preserving and promoting Juju and highlife music in Nigeria.
As of the time of filing this report, members of her family have yet to issue a detailed statement on the circumstances surrounding her death or announce burial arrangements. The passing of St. Janet marks the end of an era for many followers of indigenous Nigerian music, but her extensive body of work and contributions to the preservation and promotion of Yoruba musical heritage are expected to endure for generations.
St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
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Entertainment
Tyla drops Lagos from A*POP World Tour amid boycott calls, concert threats
Tyla drops Lagos from A*POP World Tour amid boycott calls, concert threats
South African singer Tyla Laura Seethal has removed Lagos from the schedule of her A*POP World Tour, days after her planned concert in Nigeria sparked boycott calls and heated online debate linked to renewed concerns over xenophobic attacks against Nigerians in South Africa.
The Lagos concert, initially scheduled for December 22, 2026, was no longer listed on the updated itinerary displayed on Tyla’s official tour platform as of Friday.
The revised schedule retains previously announced performances across Europe, North America and South Africa but no longer includes Nigeria.
Tyla had earlier announced Lagos as the only Nigerian stop on the tour, which is being held in support of her A*POP album. The Nigerian show was expected to take place before the tour’s final performances in Cape Town on January 4, 2027, and Johannesburg on January 9, 2027.
However, Tyla, her management team and the concert promoters had not issued an official statement explaining why the Lagos date was removed.
As a result, it remains unclear whether the concert has been permanently cancelled, postponed or temporarily taken off the public schedule.
The planned Lagos performance generated mixed reactions after it was announced, with some Nigerians calling for a boycott over reports of renewed xenophobic attacks and concerns about the safety and treatment of Nigerians living in South Africa.
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Supporters of the boycott argued that South African entertainers should face public pressure until stronger action is taken to address attacks and discrimination against other African nationals.
Others disagreed, maintaining that Tyla should not be held personally responsible for the actions of individuals involved in xenophobic violence or for broader social and political challenges in South Africa.
The controversy intensified after social media activist Martins Vincent Otse, popularly known as VeryDarkMan, said he would mobilise members of his “Ratel Movement” to prevent the concert from taking place.
In a social media post, VeryDarkMan said the planned action was intended to show solidarity with Africans affected by xenophobic violence. He also criticised South African celebrities and public figures whom he accused of not speaking strongly enough against attacks on foreign nationals.
His comments generated further debate, with some social media users supporting the boycott campaign while others raised concerns about calls to disrupt a music event.
Former presidential candidate Omoyele Sowore opposed the boycott effort, arguing that Tyla should not be held responsible for xenophobic violence.
Sowore said Nigerians should focus their anger and demands for accountability on those responsible for attacks and the institutions expected to protect foreign nationals.
He maintained that artists should not be treated as personally accountable for the actions of other people simply because they share the same nationality.
The dispute comes amid renewed public concern over reports involving Nigerians living in South Africa, including the reported death of Nigerian national Chika Ibe in Cape Town.
The reports have renewed calls for stronger action to protect Nigerians and other foreign nationals, investigate alleged attacks and promote accountability.
The removal of the Lagos date from Tyla’s tour schedule has added uncertainty to the status of the planned concert.
While the date is no longer visible on the singer’s official itinerary, there has been no formal announcement confirming that the show has been cancelled or postponed.
Fans and prospective attendees may therefore have to wait for clarification from Tyla’s team or the Nigerian concert promoters.
The development has also renewed discussions about the role of entertainers in public debates and whether cultural events should be used to express opposition to xenophobia.
Some supporters of the boycott view it as a peaceful expression of solidarity with people affected by xenophobic violence. Others believe artists should be judged by their personal actions and should not be held responsible for social or political issues beyond their control.
For now, Lagos is absent from the publicly available A*POP World Tour itinerary, while the South African dates remain listed.
Tyla drops Lagos from A*POP World Tour amid boycott calls, concert threats
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