Entertainment
Breach of contract: Pinnick sues Davido, demands N2.3b damages
Breach of contract: Pinnick sues Davido, demands N2.3b damages
The organisers of the yearly ‘Warri Again Concert’, have filed N2.3 billion suit before the High Court of Delta State in Effurun against a Nigerian-American superstar singer, David Adeleke, popularly known as Davido over an alleged breach of agreement/contract between them.
Listed as defendants in the suit are Davido and his music label, Davido Music Worldwide Limited.
The claimant under the name, Brownhill Investments Company Limited, through its counsel, Kelechi Onwuegbuchulem in suit number EHC/183/2023, is asking the court to award N2billion as general damages against Davido.
Specifically, the claimant is praying the court for N150million as legal and professional fees, and additional sum N30million as cost of filing the suit.
The claimant is also seeking an order directing the defendants jointly and/or severally to tender a public apology on all the 1st defendant’s social media accounts/handles and in two national daily newspapers for four consecutive days, to the claimant and attendees.
The claimant, in its statement of claim, averred that sometimes in early 2023, the 1st defendant approached its chairman, Mr. Amaju Pinnick, when they met at the Abuja Airport, to engage his (1st defendant’s) services for the 19th edition of the “Warri Again” event held on October 6, 2023.
The claimant stated that its chairman was hesitant to engage the services of the 1st defendant for the event as the defendant had disappointed him on two previous occasions – the 2014 and 2019 editions of “Warri Again”, where he did not show up to perform after he had been paid for the events and he was compelled to make refunds thereafter.
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The claimant believing that the 1st defendant had turned a new leaf, entered into a performance agreement with the defendants, for the 1st defendant to perform as the headline artiste at the 19th edition of Warri Again, slated to hold on October 6, 2023 in Warri, Delta State.
The claimant stated that in the Performance Agreement dated March 30, 2023, it was agreed that the 1st defendant’s performance fee was N70million, which the defendants insisted must be paid in full at the time, to secure the 1st defendant’s performance at the event.
It averred that thereafter, the sum of US$94,500.00 (an equivalent of N70million) was paid on April 6, 2023 and same was duly acknowledged by the defendants.
After payment was made and confirmed, the 1st defendant did a promotional video for the 19th edition of the event slated, wherein he confirmed his attendance and live performance in Warri on October 6, 2023.
Thereafter, the claimant set in motion, all promotional and advertorial machinery for the event, projecting the 1st defendant as the headline performer at the event.
The claimant stated that it expended humongous resources on print and social media adverts and promotion for the event.
It further averred that on September 29, 2023, precisely a week to the slated date of the event, a formal letter of reminder was sent to the 1st defendant in respect of the event, which contained flight itinerary of the private jet chartered to personally convey the 1st defendant and his team to and from Warri, Delta State for the event.
It stated that it incurred additional expenses of $18,000 to secure the private jet chartered to convey the Davido (1st defendant) and his team.
It stated that on October 6, 2023, the claimant tried to reach the defendants severally but all attempts proved futile.
Regardless, the claimant kept the private jet, it chartered to convey the 1st defendant and his team to Warri, at the Airport in Lagos on standby, waiting for the 1st defendant and his team.
The claimant added that it released a public notice that it had met all necessary performance agreements in respect of securing the performance of the 1st defendant at Warri Again and had not received any communication from the defendants, relating to his attendance at the event.
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It stated that in the course of the event, its chairman, Pinnick, was compelled to address and apologise to the event attendees for the nonappearance and performance of the 1st defendant as the attendees expressed disappointment upon learning that the 1st defendant was not in attendance to perform.
He explained to the disappointed attendees that the claimant met all its contractual obligations to secure the attendance and performance of the 1st defendant but he deliberately refused to show up and perform.
Pinnick further revealed on stage to the unhappy attendees, that the claimant had taken steps to secure the performance of another raving artist known as Crown Uzama aka Shallipopi, at an extra and unbudgeted cost to make up for the absence and non performance of the 1st defendant.
The claimant added that the 1st defendant, not long after, resorted to bullying Pinnick, with his large social media influence and following by posting all manner of insults, defamatory remarks, threats and unprintable things on the accounts/handies of his Instagram, Snapchat and X (formerly known as Twitter], at its chairman.
The 1st defendant made a false post on his Instagram story, stating that he had informed the claimant months ago of his inability to attend and perform at the event.
It averred that at no point in time did the defendants communicate or relate to the claimant that the 1st defendant would not attend and no longer perform at the “Warri Again” event.
It added that other show promoters and persons have been victims of the 1st defendant’s penchant for reneging on contracts and engagements after collecting payments.
Consequently, it is asking for the payment of $94,500 as full payment for engaging the services of the 1st defendant.
It is also demand an order directing the defendants jointly to tender a public apology on their social media accounts/handles and in two national daily newspapers for four consecutive days.
It further asked the court for an order of injunction restraining the 1st defendant from performing as a musical artiste at any show/event in Nigeria until he refunds the sum of $94,500.
Breach of contract: Pinnick sues Davido, demands N2.3b damages
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Entertainment
BREAKING: Olu Jacobs Dies at 84, Atiku Mourns Cultural Icon
BREAKING: Olu Jacobs Dies at 84, Atiku Mourns Cultural Icon
Veteran Nigerian actor and film executive, Oludotun Baiyewu Jacobs, popularly known as Olu Jacobs, has died at the age of 84, with former Vice President Atiku Abubakar describing the late Nollywood icon as “an institution” and “a cultural icon” whose contribution helped shape Nigeria’s creative industry.
Jacobs’ death was announced on Wednesday, September 16, by his son, Olusoji Jacobs, who described the celebrated actor as “The Lion of Lufodo” and called on bloggers and social media influencers to respect the family’s privacy as they mourn.
“It is with gratitude to God for a life well lived and fought, that we announce the passing of our dear husband, father, grandfather and uncle. The Lion of Lufodo,” Olusoji said in the announcement.
Reacting to the death, Atiku said Nigeria had lost far more than a great actor, describing Jacobs as “an institution, a cultural icon and one of the finest ambassadors of our creative spirit.”
The former vice president said Jacobs had become part of the collective memory of generations of Nigerians through his distinctive voice, commanding performances and decades of dedication to his craft.
According to Atiku, Jacobs was already making his mark internationally before Nollywood emerged as a global phenomenon, and his career helped lay foundations for the Nigerian film industry while inspiring younger generations of actors.
“The curtain may have fallen on an extraordinary life, but the characters he gave us, the standards he set and the generations he inspired will continue to speak for him,” Atiku said.
He expressed condolences to Jacobs’ wife, veteran actress Joke Silva, their children and the wider Jacobs family, as well as members of Nollywood and the African creative community.
Atiku said Jacobs “gave Nigeria his talent, his voice and a lifetime of excellence,” adding that the country would remember him with pride, affection and gratitude.
Jacobs, whose career spanned theatre, British television, international film and Nollywood, was trained at the Royal Academy of Dramatic Art in London. He became one of Nigeria’s most recognisable screen and stage actors and was associated with the development of the Nigerian film industry.
His death marks the end of a career spanning more than five decades and has already triggered tributes from political figures, actors and other members of Nigeria’s entertainment industry.

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Entertainment
Shimmer and Style: Zendaya, Selena Gomez, and Colman Domingo Light Up the Emmys Red Carpet
Shimmer and Style: Zendaya, Selena Gomez, and Colman Domingo Light Up the Emmys Red Carpet
From custom metallics to soft pastels and playful statuette cosplay, television’s top stars bring high fashion to Los Angeles
Top television stars gathered in Los Angeles on Monday evening for the annual Emmy Awards, showcasing an array of creative outfits and modern styles.
The ceremony, often described as television’s version of the Oscars, brought actors together at the Peacock Theater to celebrate the year’s best performances and share memorable fashion choices with fans worldwide.
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Shimmering gold and silver fabrics were popular choices throughout the arrival walk. Zendaya chose an embroidered silver gown by Prada paired with diamond earrings, while Selena Gomez appeared in a fitted, floor-length gold dress by Louis Vuitton.
The host for the night, Mariska Hargitay, wore a bright red gown with a trailing design, attending alongside her daughter in matching styles that paid tribute to her mother, actor Jayne Mansfield.
Other guests chose calm, lighter colors such as soft lavender, sky blue, and gentle green. Actors Elle Fanning and Sarah Pidgeon selected simple, elegant slip dresses that focused on subtle beading and clean silhouettes.
Menswear also showed fresh variety, with Colman Domingo combining a tailored jacket with a colorful waist sash. Adding humor and fun to the red carpet, actor Meg Stalter appeared dressed as the winged Emmy trophy itself, bringing a lighthearted touch to the celebration.
Shimmer and Style: Zendaya, Selena Gomez, and Colman Domingo Light Up the Emmys Red Carpet
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Entertainment
Celine Dion Makes Emotional Stage Comeback After Six Years
Celine Dion Makes Emotional Stage Comeback After Six Years
Canadian music superstar Celine Dion has made an emotional return to the concert stage after more than six years away, breaking down in tears as she reunited with thousands of fans during the opening night of her highly anticipated Paris residency.
The 58-year-old singer performed at the Plenitude Arena in Nanterre, near Paris, on Saturday, September 12, 2026, marking her first full concert since March 2020.
The comeback came after years of uncertainty surrounding Dion’s career following her diagnosis with stiff-person syndrome (SPS), a rare neurological disorder that causes muscle stiffness, spasms and other debilitating symptoms.
Dion revealed her diagnosis publicly in December 2022, explaining that the condition had affected her ability to walk, sing and perform.
The illness forced her to cancel concerts and eventually abandon the remaining dates of her Courage World Tour, leaving fans unsure whether she would ever return to the stage for a full concert.
But on Saturday night, Dion answered that question emphatically.
She opened the Paris show with her French-language song “On Ne Change Pas” and quickly became emotional as the significance of her return sank in.
The singer struggled to hold back tears before continuing with the performance, while the audience responded with loud cheers and applause.
Dion thanked her fans for standing by her throughout her difficult years away from the stage and recalled the promise she had made to return.
“I made a promise to come back and to be back on stage. Here I am singing for you, and singing for me,” she told the audience.
She also acknowledged the difficult journey that preceded her comeback, describing the road back to live performance as longer and harder than anticipated.
For Dion, the Paris concert was not simply the start of another series of shows. It represented the culmination of years of treatment, rehabilitation and determination to regain enough strength to perform again.
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Reports on her preparations said the singer worked on her physical and vocal condition with a combination of therapy, medication, immunotherapy, Pilates and ballet training as she prepared for her return.
Her return to the stage comes two years after another major public comeback.
In July 2024, Dion performed “Hymne à l’amour” from the Eiffel Tower during the opening ceremony of the Paris Olympics, delivering an emotional performance that marked her first public singing appearance in several years.
That performance was widely seen as a sign that she was determined to return to music despite the challenges posed by her condition.
Saturday’s concert, however, was a much greater undertaking because it required Dion to perform an entire set before a packed arena.
She performed several of the songs that have defined her career, including “My Heart Will Go On,” “All By Myself” and “Because You Loved Me,” while also showcasing her French-language repertoire. (Reuters)
The concert launched a sold-out Celine Dion Paris 2026 residency, which has generated enormous interest among fans around the world.
The residency was initially announced in March with 10 performances scheduled for September and October. Additional dates were later added following overwhelming demand, bringing the current series to 26 concerts, with performances extending into 2027. (Reuters)
Dion’s official website announced the initial Paris engagement as a limited series beginning on September 12, 2026. (Celine Dion)
The demand for tickets was extraordinary. Reports said millions of fans attempted to gain access to the ticket sale, while the shows quickly sold out.
The singer’s return also sparked celebrations across Paris, with fans gathering outside her hotel and at other locations to express their excitement ahead of the concert.
Paris itself embraced the comeback, with fan events and activities organised around the residency, including a large karaoke celebration featuring Dion’s songs.
For many fans, the significance of the concert went beyond entertainment.
Dion’s absence from the stage had been closely linked to her health struggles, making her decision to undertake a demanding concert residency a major personal and professional milestone.
Her stiff-person syndrome diagnosis had brought an abrupt interruption to a career that had already established her as one of the world’s most successful recording artists.
The condition is rare and can cause progressive muscle stiffness and painful spasms. Dion’s health challenges eventually became so severe that she was forced to step away from touring.
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Her 2024 documentary, I Am: Celine Dion, also gave audiences a closer look at the impact of the condition on her life and career.
Despite the setbacks, Dion continued to work toward a return.
In April 2026, she released “Dansons,” a new French-language song written by renowned French songwriter Jean-Jacques Goldman, adding to the momentum surrounding her comeback.
Her connection with France has also remained particularly strong throughout her career. Dion has achieved major success with both French and English-language music and has repeatedly described France as an important part of her artistic journey.
That connection was evident during Saturday’s concert, which featured a substantial amount of French-language material.
The emotional reaction from the audience underscored Dion’s enduring popularity.
As she sang, fans joined in, applauded and celebrated the return of an artist many had feared they might never see perform a full concert again.
The comeback also reaffirmed Dion’s status as one of the best-selling music artists of all time, with a career spanning decades and global hits that have reached audiences across generations.
Among her most recognisable songs is “My Heart Will Go On,” the theme song from the blockbuster film Titanic, which became one of the defining recordings of her career.
Dion’s Paris return now opens a new chapter in a career that appeared uncertain just a few years ago.
While she continues to manage stiff-person syndrome, her first full concert in more than six years demonstrates her determination to remain connected with audiences and continue performing.
For the thousands who watched her return in Paris, the tears, cheers and standing ovations represented more than the comeback of a global music star.
They marked the return of an artist who spent years battling a rare neurological condition, stepped away from the stage and ultimately kept her promise to come back.
Celine Dion is back on stage — and her emotional Paris comeback has given fans around the world a powerful reminder of her enduring voice, resilience and connection with her audience.
Celine Dion Makes Emotional Stage Comeback After Six Years
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