“Many are mad and many are roaming on social media.”
Punch
Nollywood actress, Mercy Johnson-Okojie, caused a stir on the Internet when she openly declared her support for the All Progressives Congress and its candidates in the 2023 elections.
The actress had on Wednesday shared pictures of herself with the governor of Lagos State, Babajide Sanwo-Olu, announcing her membership as part of the APC women presidential campaign team.
Her husband, Odi Okojie, is also an APC candidate for the Esan North East/ South East federal constituency in Edo State.
Sharing the photos from the campaign, the actress wrote, “Earlier today, I joined His Excellency, Babajide Sanwo-Olu and the incredible women leaders that make up the APC ‘Women Presidential Campaign Team’ at the APC women Southwest Rally.
“As a woman, wife to an APC candidate @princeodiokojie and mother, I am confident in the APC plan for women which is in line with the 35% affirmative action for women.
“From the goodwill messages and conversations with the women leaders, I was opportuned to hear from the horse’s mouth and I have renewed hope and confidence in the good intentions, great plans and actions to follow for the women of Nigeria and for the people of Nigeria.”
READ ALSO:
Her post, however, did not go down well with many fans who took to Twitter to condemn the actress’ decision, making ‘Mercy Johnson’ one of the trending topics on Thursday.
A tweep, @odyloveth, said, “End Sars – Mercy Johnson will not talk. Flood in her state that half of her community people were dying, she was mute. Police brutality, she will not talk.
“Today Mercy Johnson is telling us that APC have plans for us in 2023. I blame those rating these celebrities.”
Advising the actress to focus only on her husband, @eseohe_k tweeted, “No one is saying Mercy Johnson shouldn’t support her husband’s political career. She should not just try to sell APC to us. Campaign for your husband alone. Talking about ‘as a woman, I’m confident in the APC plan for women’.”
However, some fans stated that the actress was free to support whoever she wanted to, as they justified her actions.
@isaacafrica_ said, “While I’m for Peter Obi, I wouldn’t expect Mercy Johnson to support a party other than her husband’s. It’s one of the reasons her marriage works.
“This isn’t about party affiliation. It’s about who’s working in the best interest of Nigerians. Why can’t she be light within APC?”
Another tweep, @mrlurvy, said, “Mercy Johnson’s husband is flying the flag of the APC in his constituency. But you expect Mercy to support another party right? So that she can get retweets and likes?
“Many are mad and many are roaming on social media.”
Punch
![]()
St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
Iyun Janet Ajilore, the celebrated Nigerian Juju and highlife musician popularly known as St. Janet, has died after a brief illness. The news of her passing has sent shockwaves through the entertainment industry, with fans and colleagues mourning the loss of one of the most unique and fearless voices in indigenous Nigerian music.
The veteran entertainer reportedly passed away on Saturday, August 1, 2026. Publisher and socialite Otunba Femi Davies announced the news early on Sunday through his social media handles. According to Davies, St. Janet died after a brief illness. Her family has yet to release an official statement detailing the circumstances surrounding her death or announce funeral arrangements.
St. Janet, who was also fondly called “Mama Yabis,” carved a unique niche for herself in Nigeria’s indigenous music scene. She rose to prominence as one of the most prominent female voices in a genre largely dominated by male performers. Her style was a distinctive blend of Juju and highlife music with witty, socially unfiltered lyrics that often addressed societal issues, gossip, and everyday happenings. This earned her a reputation as a fearless and charismatic entertainer who pushed boundaries and sparked public debate about censorship and artistic expression.
Known for her electrifying live performances and engaging stage presence, St. Janet became a regular feature at weddings, birthdays, chieftaincy ceremonies, and other high-profile social gatherings across southwestern Nigeria. Her music, often performed in Yoruba and infused with rich cultural expressions, earned her a loyal following. Some of her notable and controversial albums included ‘Faaji Plus’ and ‘5G Plus,’ which pushed cultural boundaries and sparked public discussion.
READ ALSO:
Interestingly, the controversy surrounding her ‘Faaji Plus’ album was never intended for public consumption. In a previous interview, St. Janet explained that the music was a live performance at a private party for select guests that was later pirated and released to the public. She stated, “The CD that you see out there is not really an album. It was a live performance at a party for selected people. The music is meant for adults. It was not meant for everybody.”
Despite the controversy, St. Janet remained unapologetic about her artistic style. “I know that people are criticising me because I am a woman. If I were a man, nobody would complain that I am singing obscene songs,” she once said. She insisted that her music reflected societal realities and that she gave her audiences what they wanted. At the same time, she maintained that her on-stage persona was different from her off-stage character, describing herself as naturally shy and reserved.
The late musician’s background was deeply rooted in Christianity. She was a chorister in a white garment church before transitioning into professional music. This religious foundation often influenced her performances, as she would start her shows with gospel songs before moving into more provocative material, a strategy that one scholar described as an “insidious approach” to erotic performances.
Her career spanned decades, beginning as a backup singer for her master, Lord Kenge, before launching her solo career. She once explained that her stage name “Saint” came from her master, who called her a “saint” because of her quiet, reserved nature off-stage.
St. Janet’s passing has generated an outpouring of grief from fans, colleagues, and lovers of indigenous Nigerian music, many of whom have taken to social media to pay tribute to the late performer. She is remembered as an entertainer with unmatched stage charisma and an enduring legacy that contributed significantly to preserving and promoting Juju and highlife music in Nigeria.
As of the time of filing this report, members of her family have yet to issue a detailed statement on the circumstances surrounding her death or announce burial arrangements. The passing of St. Janet marks the end of an era for many followers of indigenous Nigerian music, but her extensive body of work and contributions to the preservation and promotion of Yoruba musical heritage are expected to endure for generations.
![]()
BREAKING: 61.54% Pass Rate as WAEC Releases 2026 WASSCE Results – How to Check Results
Super Falcons Thrash Egypt 6-2, Book WAFCON Quarter-Final Date with Cameroon
Adeleke challenges EFCC over freezing of Osun government account
Zenith Bank confirms cyberattack, says customers’ contact information was accessed
Former Finance Minister Kemi Adeosun Loses Husband, Niyi Adeosun
Osun Govt Sues EFCC, First Bank for ₦2 Billion Over Unlawful Account Freeze
Two Rifles, Live Ammunition Recovered as FCT Police Storm Bandits’ Hideout
Army Arrests Two Soldiers for Acting as Bouncers at TikToker Peller’s Lavish Lagos Wedding