Entertainment
Keyamo’s outburst disappointing, FG misinforming Nigerians –ASUU
The Academic Staff Union of Universities has dared the Minister of State for Labour, Festus Keyamo (SAN), to list some of the actions taken by the regime of the President, Major General Muhammadu Buhari(retd.), to end the ongoing strike by the union.
The union also accused the Federal Government of not having the interest of Nigerians at heart.
Sunday PUNCH reports that Keyamo, the activist-turned-politician, during an interview on Channels TV had said the Federal Government had done all within its power to end the strike by ASUU.
Keyamo had also appealed to parents and guardians to “beg” the union while adding that the government had no plans to borrow to meet their demands.
ASUU declared a strike on Monday, February 14, 2022, at the University of Lagos, Nigeria.
The union blamed the government for failing to meet some of the lingering demands that it had presented before the suspension of its 2020 industrial action.
Some of the demands include the release of revitalisation funds for universities, release of earned academic allowances for the staff of universities, release of white paper of the visitation panel to universities, deployment of the University Transparency Accountability System for the payment of the salaries and allowances of lecturers, renegotiation of the 2009 ASUU/FGN agreement; stoppage to the proliferation of universities by lawmakers and other government officials.
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Replying to Keyamo’s claims, the National President of ASUU, Prof Emmanuel Osodeke, in an interview with Sunday PUNCH in Abuja, expressed disappointment at the claims by the minister.
“When I listened to him yesterday, I felt very disappointed. We are in a country where someone who has risen in the legal profession can come out to completely misinform the public. It is so sad and I feel so pained.
“We are challenging him to mention one of the things the government has done on all the issues that led to the strike. How much has been released for the revitalisation fund for universities? How much has been released for the payment of the earned academic allowances? Has the visitation panel report been released? This is a demand that does not even have to do with money,” he said.
He added, “Have they signed the agreement that was negotiated between their team and ASUU? On the issue of IPPIS and UTAS, have the results been made available? These are the questions Nigerians have to ask them. The demands that don’t have to do with money, have they met those demands?
“I am so disappointed. This is someone who was on the street fighting for the poor Nigerians until he joined politics. This same man has turned around to fight the Nigerian people. We challenge him to tell the Nigerian people what the government has done concerning the seven demands that were listed. It is so sad, and that is why Nigeria is where it is today.
“These people do not have the interest of Nigerians at heart. Nigeria is battling all manner of things. Insecurity, education is on lockdown. They have not released one kobo, I’m saying this with all due respect. The government has not released one kobo to any university since the strike started, but you are giving N1.14 billion worth of vehicles to government officials in the Niger Republic.
“You know why they don’t believe in Nigerians. If their children were to be in our schools, they would have done something”.
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St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
Iyun Janet Ajilore, the celebrated Nigerian Juju and highlife musician popularly known as St. Janet, has died after a brief illness. The news of her passing has sent shockwaves through the entertainment industry, with fans and colleagues mourning the loss of one of the most unique and fearless voices in indigenous Nigerian music.
The veteran entertainer reportedly passed away on Saturday, August 1, 2026. Publisher and socialite Otunba Femi Davies announced the news early on Sunday through his social media handles. According to Davies, St. Janet died after a brief illness. Her family has yet to release an official statement detailing the circumstances surrounding her death or announce funeral arrangements.
St. Janet, who was also fondly called “Mama Yabis,” carved a unique niche for herself in Nigeria’s indigenous music scene. She rose to prominence as one of the most prominent female voices in a genre largely dominated by male performers. Her style was a distinctive blend of Juju and highlife music with witty, socially unfiltered lyrics that often addressed societal issues, gossip, and everyday happenings. This earned her a reputation as a fearless and charismatic entertainer who pushed boundaries and sparked public debate about censorship and artistic expression.
Known for her electrifying live performances and engaging stage presence, St. Janet became a regular feature at weddings, birthdays, chieftaincy ceremonies, and other high-profile social gatherings across southwestern Nigeria. Her music, often performed in Yoruba and infused with rich cultural expressions, earned her a loyal following. Some of her notable and controversial albums included ‘Faaji Plus’ and ‘5G Plus,’ which pushed cultural boundaries and sparked public discussion.
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Interestingly, the controversy surrounding her ‘Faaji Plus’ album was never intended for public consumption. In a previous interview, St. Janet explained that the music was a live performance at a private party for select guests that was later pirated and released to the public. She stated, “The CD that you see out there is not really an album. It was a live performance at a party for selected people. The music is meant for adults. It was not meant for everybody.”
Despite the controversy, St. Janet remained unapologetic about her artistic style. “I know that people are criticising me because I am a woman. If I were a man, nobody would complain that I am singing obscene songs,” she once said. She insisted that her music reflected societal realities and that she gave her audiences what they wanted. At the same time, she maintained that her on-stage persona was different from her off-stage character, describing herself as naturally shy and reserved.
The late musician’s background was deeply rooted in Christianity. She was a chorister in a white garment church before transitioning into professional music. This religious foundation often influenced her performances, as she would start her shows with gospel songs before moving into more provocative material, a strategy that one scholar described as an “insidious approach” to erotic performances.
Her career spanned decades, beginning as a backup singer for her master, Lord Kenge, before launching her solo career. She once explained that her stage name “Saint” came from her master, who called her a “saint” because of her quiet, reserved nature off-stage.
St. Janet’s passing has generated an outpouring of grief from fans, colleagues, and lovers of indigenous Nigerian music, many of whom have taken to social media to pay tribute to the late performer. She is remembered as an entertainer with unmatched stage charisma and an enduring legacy that contributed significantly to preserving and promoting Juju and highlife music in Nigeria.
As of the time of filing this report, members of her family have yet to issue a detailed statement on the circumstances surrounding her death or announce burial arrangements. The passing of St. Janet marks the end of an era for many followers of indigenous Nigerian music, but her extensive body of work and contributions to the preservation and promotion of Yoruba musical heritage are expected to endure for generations.
St. Janet, Nigeria’s ‘General Overseer of Sinners’ Chapel,’ Dies After Brief Illness
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